Nová směna

Hawaii: Living on the Edge in Paradise?(en)

During the summer of 2018, hundreds of earthquakes shook the summit of Kiilauea, sparking the volcano's largest eruption in 200 years. To some, it was a disaster. To others, it was the goddess Pele's way of creating new aina (land). The Hawaiian peoples' resilience and cultural unity is a lesson in the true spirit of Aloha.

Aeon(en)

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

Cars Without a Home(cs)

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Isaiah vs. The Hodag(en)

A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

El circo(es)

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Vltava po válce(cs)

Věděli si rady(cs)

Ústřední loutkové divadlo(cs)

Zima v Československu(cs)

Amén Jesús(es)

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

Meuthen's Party(en)

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Head Full of Dreams, Heart Full of Promises(en)

An insightful short documentary about eight young filmmakers, just out of film school who all have a romantic outlook about Cinema but are equally aware of the challenges of the real world of film making. This little film captures these beautiful young filmmakers at their most candid selves.

Mister Hrstka(cs)

One day in the life of Mr Hrstka, a blue collar worker and occasional pose model at the Prague academy of arts. Through this portrayal of an outsider, Paskaljevic explores the subject of isolation.

I See in the Dark(sl)

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Ultraviolet(en)

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

People in Tights(en)

An aspiring superhero, lacking powers, tries out for a real superhero team in this mockumentary.

Prefabricated Houses(cs)

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”