The Emperor of Japan is scheduled to visit the small fishing village of Titipu for the annual cherry blossom festival. Unfortunately, during the ceremony the town tailor, Koko, winks at the pretty Kataisha, who is to be the wife of the Emperor's son Nanki Poo. Koko is promptly arrested and thrown in a dark, dank dungeon and sentenced to death for disrespecting the Emperor. Things look bleak for Koko until Nanki Poo falls in love with the lovely Yum Yum, and Koko gets caught up in a scheme to deceive the Emperor.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.
Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
A teenage girl who halfheartedly tries to be part of the "in crowd" meets a dashing rebel who teaches her a more sinister way to play social politics.
In this fast-paced remake of the Maurice Chevalier vehicle Folies Bergère, talented Danny Kaye plays both a performer and a heroic French military pilot.
Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area.
Based on the controversial off-Broadway musical comedy revue, "Oh! Calcutta!" is a series of musical numbers about sex and sexual mores. Most of the skits feature one or more performers in a state of undress, simulating sex, or both. The show sparked considerable controversy at the time because it featured extended scenes of total nudity, both male and female. The title is taken from a painting by Clovis Trouille, itself a pun on "O quel cul t'as!" French for "What an arse you have!".
A musical based on the life and music of Johann Strauss, Jr.
In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.