West Estate spotlights the severe housing problems in Hong Kong, taking the spirit of resistance outside of the protest. The damaged walls in the cage-like tenements reflect the many forms of social injustice as well as Hongkongers’ widespread sense of rootlessness. Connecting three stories from different households like puzzle pieces, the film depicts people’s despair over issues of family, sexuality, love, and freedom.
2020-01-10
0
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
HongAFI nominated director, Charlie Hill-Smith’s first documentary, is a telling insight into the complexities that face modern China. In 1997 the most free market city of earth was consumed by the last great communist state, but who is China? What is China? Travel from Hong Kong to Beijing to Tibet to grab a warts and all snap shot of the Middle Kingdom as it rises to become the great power of the twenty first century.
Successfully completed your studies - now what? Raffly already has a lucrative job offer from a large German company, but neither an apartment nor a work permit.
Too many stories can tell the horrible consequences of the housing crisis. Those of Jeannette and Frances make us feel the difficult experience of eviction. During long months of anguish, brief hopes and uprooting, Jeannette and Frances struggle, alone and surrounded, against a phenomenon that is becoming more and more pronounced: losing your home.
Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.
Having devoted much of his career to programming and film history research, Law Kar, a.k.a. Uncle Kar, places himself before the camera for the first time. This nostalgic trip down memory lane, as he recounts his personal and cinematic experiences, from film criticism, experimental filmmaking to auditioning for Federico Fellini, cumulates in a brief history of Hong Kong cinema itself. Reflecting on the past 80 years, Law Kar's affectionate documentary sheds light on local movies and Chinese cinema, brooding over the socio-political transformation of our perplexed city, as the restless cinephile ponders the role cinema and art play in times of crisis.
Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.
In the life of Mr. Lai Man-wai, he had seen the most turbulent times of recent Chinese history. From the fall of the Qing Dynasty to the founding of the Republic, from the Sino-Japanese War to the founding of the People’s Republic. With a patriotic spirit, he joined the revolution and used the theatre to promote the revolutionary course. For a ‘stronger China’, and ‘education for all’, he chose film as his life long goal and career. Lai was more than the father of Hong Kong cinema was; he was also one of the pioneers of the Chinese cinema. He made Hong Kong’s first short fiction film ‘Zhuangzi Tests His Wife’. He opened the first Chinese owned cinema, the New World Cinema, in Hong Kong…. In the several decades, Lai had devoted his life and fortune in writing this glorious inaugural chapter in early Chinese film history. The technical enhancement, the introduction of foreign techniques and equipment were all part of his contribution to the Chinese cinema.
In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.
Documentary about two boys and a girl who travel to surfing spots around the world.
Chronicles the modern-day David and Goliath tale amidst North America's housing crisis. During the pandemic, Khaleel Seivwright, a young Toronto carpenter, builds life-saving shelters for unhoused people facing the winter outside. His actions attracted international acclaim but also staunch opposition from the city government, portraying a compelling narrative set against the backdrop of societal challenges and governmental resistance.
A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
Revolutionary at 21. Lawmaker at 23. Most Wanted at 26. With intimate access to the leaders of Hong Kong’s Umbrella Revolution, Who is Afraid of Nathan Law? chronicles one of the world’s most famous dissidents in his fight for democracy against a superpower.
Located in Carcavelos, Quinta Nova de Santo António, or Quinta dos Ingleses, as it is recognized by the population, shelters a small community of people affected by the housing crisis. Natives and immigrants, deprived of a roof over their heads, carry on with their lives in search of better opportunities and a breeze of change. Guided by residents' voices, this documentary is based on the adaptability of human beings in the face of life's adversities and their constant pursue of happiness.
After the failed Umbrella Revolution in 2014, lives go back to normal, but the scenes of the great protest are like yesterday for Billy and Popsy, students in the University of Hong Kong who took part in the movement. One of them now becomes a student leader, while the other chooses a low-profile life as a private tutor. Amid the rapid social changes, when the Communist Beijing government is extending their influence to Hong Kong to take away the freedom and democracy, how would the youths see their future? Do they still see hopes, when both peaceful protests and radical actions seem to be futile?
Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
These are the future leaders of their communities. Ever wonder what it’s like to walk a day in their shoes? How the world looks through their eyes? We were curious. So, we asked them.