Self
Self
Self

The women of Ghana have a reputation for independence. They, rather than the men, sit enthroned at the market stalls and run a large proportion of the nation's retail trade. But Ghanaian women are now thrusting even more vigorously into the arena of power and influence
1971-05-01
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10.0After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
10.0After surviving a violent assault by a serving soldier who was convicted but walked free with a suspended sentence, Natasha O'Brien refused to stay silent.
0.0Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
In the suburbs of Montpellier, France, in the spring of 2024, a Roma wedding celebration is about to begin. In the bedroom of a small apartment, Luisa and her cousins meet up to talk about their dreams, their traditions, and their desire for emancipation. The ritual of flamenco dancing became for Luisa a space of freedom.
5.7Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.
Three intrepid women battle for Indigenous women's treaty rights.
7.5Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
The words of the women and the rhythm of their lives in the seclusion of family compounds suggests both the satisfying and the limiting aspects of a woman's role in a rural Afghan community. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on women. The film and accompanying instructor notes examine the economic, political, religious, and educational status of women, their legal and customary rights, and the degree of change in their actual and perceived roles.
5.0In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.
0.0A group of young girls and married women express their views of marriage and motherhood while glossy advertisements extolling romance, weddings, and babies flash across the screen in contrast to their words. Could the solution to dashed expectations be as simple as growing up before marriage? Part of the Challenge for Change program.
7.2The story of women's struggle against sexual discrimination and for inclusion in the democratic process in (West) Germany after WW II.
7.3Motherhood: a subject so deeply ingrained in our society, we take it for granted as part of the natural order. It's assumed all women want children, that motherhood is not only a biological imperative but the defining measure of womanhood. Titled after one of the myths it challenges, this film draws upon a heady mix of culture, science, and history–revealing the rich and diverse lives of people who said no to children, and the forces that have marginalized them in society.
0.0Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.
7.2Nanny, cook or sex slave. For a long time, the mistaken belief that the women in the terrorist organization Islamic State were condemned to blind obedience was held up. But appearances are deceptive. Some of them join the terrorist militia of their own free will. They are fully integrated into the system: they torture with unscrupulous cruelty and actively fight alongside their men. Today, the Caliphate's capitals lie in ruins. Nevertheless, many of the women have stayed and are trying to leave behind memories full of pain and shame. Thomas Dandois gives them a voice.
10.0From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
0.0Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.