Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Financially troubled, a newbie hitman reluctantly takes the job of finding the plotted killer of a Japanese tycoon.
Zoushu Hirate was the acting master of Chibashusaku Dojo in the Hokushinitto style. His wife was dead and had drunk a lot every day. For the sake of money for alcohol, he chased Kanji Amakasa who killed an office worker of Daikansho. While, Kanji hid in the house of Shigekura Sasagawa in a town along the Tone River. Sasagawa family was looking for a good swordsman for the coming fight with the Iioka family.
Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.
Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.
Priests from a temple solving problems caused by yakuza, taiwanese mafia and hitmen with their fists.
A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.
Part 4 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Sugawara tries to overcome a traumatic experience of getting in bed blindfolded with a girl who turned out to be an old granny. Later he and Kawaji try to settle down in a neighbourhood harassed by businessman yakuza Bin Amatsu.
Part 5 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. After serving four and a half years in prison, Masa and his brother Katsuji leave Kobe to go to Nagoya to help a hostess get her daughter back from her mother. As they arrive in Nagoya, they get into a scuffle with the local yakuza affiliate. Sugawara and Kawaji's chemistry is even more evident here than usual, the storyline is alright if melodramatic. Delightful start with Tatsuo Endo as a nice guy prison guard! How many times have you seen that? And we got Kyosuke Machida (henchman) with cool beard and the always good Tsunehiko Watase (young hood) on board as well. One of the best films in the series.
A crossover between Wakayama's Gokudo and Sugawara Mamushi series. Gokudo runs a restaurant and makes Takuzo Kawatani his kitchen bitch. He tries to do the same for the Mamushi bros. but the boys don't play along, which pisses Gokudo off. Things get worse when he starts helping a young teacher and Bunta has a crush on a pretty girl... and unbeknownst to them it's the same woman! Yes, the film has not one but two romantic subplots! Of course it all ends in bloodshed.
When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.
A trio of teenage tarts try to earn money through shoplifting and prostitution scams and get into deep trouble.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Three male gangsters are forced by their boss into becoming a trio of female pop singers.
Arikawa runs a transport company. But this is only a front for his gambling house. Yuriko is a regular on the scene, and she is fascinated by the dice and the one who throws them. A year before, Yuriko's father died in mysterious circumstances; she decides to go in search of the truth.
Yukiko is on her way to meet Boss Gunji. Judging by her appearance, no one would suspect that this beautiful young woman, sitting quietly in a suburban train, is the only woman able to beat the best professional players in Japan; or that she is wearing the tattoo of the man that loved her and died for her...
After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR