Paula
Mario
Mateo
Juan
Sara
Set in Northern California in the late sixties, So Much Yellow is a short, dramatic film about a young girl and the family road trip that changes her life forever. Inspired by true stories, this film depicts the difficult decision one family makes to institutionalize their young son who has Down syndrome.
A short film following a cult that worships spaghetti sauce.
Although Yingying’s mother was killed in a modern day persecution and the little girl is alone on the streets of Northern China, an enchanted art form could reunite them. Enter a child’s world, where hope and imagination are more powerful than police batons or state-sponsored violence, where noble determination conquers all.
A documentary filmmaker sleeps with his camera to film the dreams he has at night.
A jazz bassist who surveys a beautiful girl at a gig decides to try to get her home. But the devil is getting into the game too.
When friends Jessie and Belle go away for the weekend and drunkenly hook up, what seems like an awkward slip up to a firmly heterosexual Jessie is in fact an incredible betrayal to bisexual Belle.
Set in Berlin, 1933, We are Dancers is the story of real-life anti-Nazi drag artist Hansi Sturm and his circle of friends in the immediate aftermath of the Reichstag fire, an event that allowed Hitler to become absolute dictator of Germany. Confronted by a former lover, now a Nazi, Hansi must decide whether to abandon his club or stay and face the Fascists on his own terms.
An 11-year-old kid growing up in "the hood" secretly dreams of trick-or-treating as Wonder Woman for Halloween.
This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).
After narrowly avoiding a car crash, John is haunted by visions of a gaunt man in a decomposing suit.
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.
Deep inside the jungle, a group of teenage girls are being kept under supervision. Despite abandonment and hostility, Damiana hopes she can get in touch with her father.
Hedda tries to approach Adam in every way she can, but everything she does turns out wrong. And Adam gets to break all the rules. A film about never being able to win, even though you’re the best, with the gym hall as its arena.
In the everyday life of the bus, the world still hopes to find warmth.
A man alone with a cigarette and his thoughts while listening to a song on his record player that takes him back to distant memories.
The movie centers on a young hipster girl who loves to party. One day, she has to deal with taking care of naughty niece that she has never met before and on top of it all, she is trying to sort out her past love that could somehow affect her future.
In sickness and in health, should marriage really be an unconditional partnership that should never be broken? Christina, in her 30's, is married to Hector, a husband who's paralyzed and therefore physically incompetent to consummate their marriage. She wants to liberate herself from a sexless union. Her needs as a woman are unfulfilled. But her love for Hector, and her commitment to him coupled with the dictates of her faith and marital vows, and her sympathy and care for her husband keeps her in "cage of marriage," where she suffers in melancholic solitude, yet contemplates on freedom and rediscovering her true worth. - Written by Lilit Reyes
Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another's motives for joining, living, and surviving under the control of their Leader. Faced with their own doubts, Bennett and Marissa must confront their feelings and fears while deciding what life to live after near-death.