Self-Portrait with Mother

Haaveiden kääntöraide(fi)

Metro trains disappear on the turning track, only to immediately return on the same route. Tapio (57), Toni (42) and Aksa (60) are also stuck on these tracks. The men meet every morning in the square behind the Herttoniemi metro station, from where they transfer to Vuosaari in the metro's "restaurant car". Men's lives are dominated by alcohol and unemployment. The turning track of dreams follows the lives of Tapio, Toni and Aksa for a year - moments filled with joy, despair, self-destruction and friendship in the metro stations and trains of Eastern Helsinki. It gives voice to those who do not have special human dignity in the eyes of society.

Even Vergeten(nl)

Markenhof nursing home is located in the woods of Beekbergen. The unsuspecting walker might think it's a holiday park, but the buildings are home to 138 patients, all wandering around in various stages of memory-destroying Korsakoff's Syndrome. Korsakov's disease is caused by severe vitamin B1 deficiency, almost always the result of alcoholism. One patient can do little more than stare into space, while the other appears to be fine at first glance. Wracked by guilt, shame, addiction and a destroyed memory, patients Kenny and Christina try to create an understandable and livable world.

Track Two(fi)

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.

Jim Morrison: The End(fr)

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

The Night Dad Brought Us Home(no)

A personal film by Steffan Strandberg about his adolescence with an alcoholic mother.

The Andersson Brothers(sv)

A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and the difficulty of connection. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner.

One Little Pill(en)

Bold & candid, One Little Pill will reveal to the world a startling pharmaceutical discovery & assault the skepticism & denial perpetuating alcohol dependence.

Be Here to Love Me(en)

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

Man of Kihnu(et)

In 1986, twelve years after his film Kihnu Naine (The women of Kishnou), Mark Soosaar made this complementary documentary at the centre of which are the male inhabitants of the island. With a bitter undertone to it, Soosaar shows how, to this view, a lack of possibilities for self-government and the conceited attitude of the mainland towards the islanders have caused great problems to this society. The island has been negligently placed under far too large a kolkhoz. Enormous alcoholism is prevalent among the male population and, increasingly, among the women. Sheer possession of money has become a standard of regard. If a family cannot spare 4,000 roubles for the marriage of their children, they are ignored by the other islanders. In this dramatic as well as poetic documentary we see how the social awareness of a society has gone by the board. Merely concrete and strict reformations can improve the situation the island is in.

Who Is Harry Nilsson (And Why Is Everybody Talkin' About Him?)(en)

The life and work of the enigmatic singer-songwriter Harry Nilsson.

The Alcohol Years(en)

Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.

Circus(et)

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Drinkers Like Me: Adrian Chiles(en)

Adrian Chiles takes a long hard look at his own love of boozing. He wants to find out why he and many others don't think they are addicted to alcohol, despite finding it almost impossible to enjoy life without it.

David with F.A.S(en)

David Vandenbrink seems like a healthy 21-year-old, bright and articulate young man. There is little to suggest that while in his mother's womb, he suffered permanent brain damage. His condition, fetal alcohol syndrome (F.A.S.), went undiagnosed for the first 18 years of his life, causing confusion, anger, and pain for both David and his non-Indigenous adoptive family. Fetal alcohol syndrome is a term used to describe a set of symptoms seen in some children born to women who drank alcohol during pregnancy. The damage can be subtle or severe, resulting in a wide range of symptoms in the areas of slowed growth, disfigurement, and damage to the brain. Associated behavioural problems include impulsiveness, poor judgment, and an inability to grasp the consequences of actions. This personal story, using video footage shot by David himself, along with the experiences of members of his family, is a hard look into the serious consequences of a little-known, but widespread, health problem.

Gascoigne(en)

A feature length, theatrical documentary on the life of Paul Gascoigne, one of the greatest footballers that ever lived: delving deep into his psyche, vulnerabilities, fears and triumphs.

Portraits deutscher Alkoholiker(de)

The people at the centre of this film are lawyers, civil servants, housewives, managing directors and mothers. They are also alcoholics. In her documentary, Carolin Schmitz explores the protagonists’ stories and their strategies for survival: the little tricks they employ in order to try and get through their daily lives – lives which become increasingly difficult to manage the stronger the addiction becomes. Their fear of losing control and being exposed as a drinker create their need to conform, but the protagonists can only cope with this pressure by increasing their alcohol intake.

The Children Accuse(pl)

One of several films by the Hoffman-Skórzewski duo, made as part of the "black series" of Polish documentaries showing social problems hidden from viewers behind the façade of socialist realist productions until the mid-1950s. The subject of the film are the effects of alcoholism, whose innocent victims are children.

Boire(fr)

The Shadow of a City(fi)

The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.

Portrait of a Man(fi)

A rough but beautiful documentary film about the crisis of a man in his forties and his desire for a better life; its a story of parenthood, alcohol, Finnish man and his desire for love. It is also an unusually intimate depiction of the relationship between the father and his son. Despite the seriousness of the topic the film includes black humor and situational comedy