The events take place in Estonia in a summer in the 1960s. The Boy and the Girl want to go from mainland Estonia to the island of Saaremaa, but they do not have any money to buy the ticket to the ferry. They manage to hide themselves into a lorry that carries hay. Because they are smoking while they are on the lorry, a fire breaks out. The problem is, that the ferry in the middle of the sea.
1967-05-29
4.2
Toomas Nipernaadi is seen roaming the rural landscape, going from village to village looking for the woman of his dreams. He wears a bedraggled white suit but generously pays for any lodging he needs or in one case, even buys a farm. Nipernaadi has a way with words and enchants those he meets with his wild stories about himself. Women find him appealing and the men are entertained as he moves from one locale to the next.
Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.
Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.
A behind-the-scenes look at the making of "Dracula" (1979).
Two parka-adorned silhouettes engage in a barely-audible conversation about Snapchat, grades, money, and other unintelligible topics, until one notices something on the other's glasses. It is not ice.
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Binsar, a final year law student, son of Saelan, owner of the Metromini Bus business, recently lost his bus due to traffic violations. Binsar is involved in a complicated love affair with the spinster Sofia, the nephew of the famous Turpin's lawyer. Binsar and Sofia try to return their love in the midst of their respective problems.
Priest nags a crusty old man into reconciling with his daughter-in-law and granddaughter after the death of his son.
Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.
A judge flees the pressures of professional and family life for a job as a short-order cook.