Antropofagia Marginal

Fulano de Tal(pt)

A Morte do Brasil(pt)

Morra.com(pt)

'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .

Cocoon(pt)

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Mangúe-Bangúe(pt)

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Sangria(pt)

Never Stop on the Highway(pt)

In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.

The Ridiculous(pt)

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Aliens do terceiro mundo e o sequestro de Dona Irene(pt)

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

E Por Falar em Saudade...(pt)

Perifericu(pt)

Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.

Escândalo em Vermelho(pt)

Sexta-feira da Paixão, Sábado de Aleluia(pt)

Rockenstock : Gong(fr)

Invasion(uk)

Angela Slobodyan is a journalist who survived 31 days of Russian captivity during the occupation of the Kherson region. She is travelling to The Hague to testify about the aggressor’s war crimes. 
Combining telephone video evidence of the occupation, and interviews with survivors, Invasion is dedicated to Ukrainian acts of resistance. The women at the centre of the narrative not only demonstrated their heroism in resisting the occupiers, but also dared to give oral testimony about the unspeakable horrors they endured. 


The Rise of the Synths(en)

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

OVERHEIGHT MUST TURN(en)

For the past ten years, Jürgen Henn has filmed over-height trucks crashing into the 11foot8 train bridge affectionately nicknamed the "Can Opener." In that time, millions have viewed the crashes online. Regional, national, and international news organizations have dined out on the story and the goofy crash reels. But why do motorists continue to crash despite the many warnings, sensors, and signs? And what is it about these crashes that holds our attention? In this piece, we look for the humanity in human error.

Kobayashi Issa(ja)

The film uses the haiku of early 19th century poet Kobayashi Issa as its motif to portray the lives of farmers residing deep in the mountains of Nagano. Commissioned by the Nagano Prefectural Department of Tourism, the movie became instead, in the hands of Kamei, a depiction, sometimes ironic, of poverty and the harsh life of the inhabitants of the area. The short movie is often considered Japan’s first “poetic documentary”.

Comme si, comme ça(fr)

What should we do today with poems from the past ? Why do poetry today and how ? Sitting behind his desk, Michel Deguy, great living poet, speaks, smokes and thinks with the same generous enthusiasm. Marie-Claude Treilhou records the thinking words, articulates their development through a series of readings or sung recitations of the poems dissected by their author. Fathoming the depths of “ecopoeticology” of Deguy, Comme si, comme ça makes up the most sober and vivid of portraits. “Without ever bragging”, as suggested by the contemporary ethics the poet formulates in the film.

Irina Ionesco - Nocturnes Porte Dorée(fr)

"Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.