Somewhere between Sri Lanka and the island of New Guinea, in the upper reaches of the Amazonia jungle, there is rumoured to be a lost tribe of cannibals. Assembled out of Italo cannibal mondo movies, Hollow Jungle documents their rituals, sourcing their power in narrative repetitions and analogies, before structurally locating them in the prurient pathologies of certain pseudo-ethnographies.
2019-06-29
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Compilation of newsreel footage of atrocities, murders, natural disasters, aircraft accidents, and other spectacles involving violent death or extremes of human suffering
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
This little-seen compilation 'educational' documentary from producer Samuel Cummins was an independently-produced jungle exploitation film typical of the 30s. It was inspired after the success of the pre-Code exploitation film Ingagi (1931) about gorilla-worshipping Congolese native women, and after the success of RKO's King Kong (1933). The film speculated that there was social/sexual intercourse or matings between African women and gorillas, after a Ubangi maiden was abducted by a gorilla and carried off into the jungle. It was considered scandalous and "off-color" by the Board of Review because of the theme of "the mating of women with wild animals and because of nude figures in the picture." The film included sensational content (ineptly interspersed with horrible stock footage) including a few shots of topless native women (censored versions superimposed fake ferns over bare breasts) and lusty gorillas (men in monkey suits). (filmsite.org)
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.
Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.
The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.
The third installment in one of the most disturbing shockumentary series ever made, and it gets even more sick! Includes an autopsy of an unfortunately real dead infant, a cooking tutorial on road-kill, a walk-through of an abandoned house cleared after the homicide of an exchange-student, and a video of re-enactments of workplace incidents.
St. Pauli, prostitution by advertisement, lesbianism, whipping, satanic rituals – all that makes a young farmgirl movieng to the big city where sexual adventures await her.
A completely new story based on existing footage from the series Columbo.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
A former lawyer leaves everything behind to embark on the quest for a dinosaur-like animal supposedly living in Africa's unexplored forests.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.