The Right Girl

Who We Are(en)

Two best friends struggle to keep their friendship while dealing with the feelings they have for one another and the pressures of society.

The Museum of Broken Love(tr)

The Museum of Broken Love is a museum where items left over from people's ended relationships are exhibited. Ali's job, when he started working at the museum, is to inventory the incoming items and place them in the exhibition areas. Ali's days change when a man who catches his attention leaves a box at the museum.

Dos Chicos Frente al Mar(es)

Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.

nothing, except everything.(en)

A graduating high schooler navigates a world of seemingly inevitable chaos by finding order in the number 7.

lala(co)

Genre Hopper(fi)

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

Nice Coloured Girls(en)

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

wkw/tk/1996@7'55''hk.net(ja)

A Japanese-Chinese couple hangs out and shoots each other.

Kwentong Barbero(tl)

Dado is loving and responsible husband. He also told stories to his loyal customers, Alas and Pablo the secret of his strong relationship with Isay and how to treat women correctly. Eventually, the origin of the saying "Kwentong Barbero" will unfold as Dado shares his love conquest tales.

Gravity(en)

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Valentine(en)

With gender and identity in flux, Corey and Mia struggle to redefine their relationship.

The Intruder(en)

Much to the delight of the simple old father, his daughter becomes engaged to a big-hearted mountaineer. He builds their hut in the wilderness, and she is happy, though she often dreams of the great world outside. Then comes the intruder from the city, a man of the world. He obtains hoard at the girl's home. He blinds her eyes to the beautiful things of the; woods with his talk of pretty places and things of the great world without. He tempts and wins her away from the big-hearted backwoodsman. The young mountaineer, who has been working on his cabin, returns and finds the old man dozing and the girl gone.

One Fine Day, a Hairdresser(fr)

How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?

Writer's Block(en)

An up-and-coming filmmaker sets out to write a romcom. The only problem is, he has never been in a relationship before. All of that is about to change when he falls in love with Meg, an aspiring musician.

True(en)

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

Sign(xx)

'SIGN' is a short film that tells, through vignettes, music, and sign language, the story of a relationship between Ben, a hearing man, and Aaron, who is deaf.

Annie Laurie(en)

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

Carnival in Paris(en)

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

Old Man Blues(en)

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.

A Purgatory Story(en)

A demon stuck with spirit board duty falls for a girl on the other side.