The Girl with the Rivet Gun
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Windows(en)
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Theatrum Orbis Terrarum(pt)
In the sixteenth century the Padrão Real hung from the ceiling of the Map Room in the Casa da Índia. It was a secret map, guarded from the eyes of foreign spies, which was changed and reworked with the comings and goings of each expedition. Aided by scientific equipment to measure distance, the navigators dreamed up the representation of the expanses that they had covered. When at sea, they looked up to the heavens and gauged their path by the stars, hands drawing in space fictional lines that carved territories. Upon returning to shore, they took the map that had previously belonged to others as their own, erasing divisive lines and constructing new borders. The map that they followed has been lost over time, and what remains of it is a stolen copy, made from memory by one of the cartographers in order to outwit enemies.
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Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Pearl Harbor(en)
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Olympia: Part One – Festival of the Nations(de)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Olympia: Part Two – Festival of Beauty(de)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Jam(ja)
The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making the film and completed it in four months.This film is based on a very simple idea: the increasingly varied the sounds, the greater is the number of creatures. I wanted to rid myself of the frustrating experience of making Devour Dinner, which was highly unsatisfactory from the viewpoint of the movement in the film. My intention in this film was to fill the screen with chaotic movements.
Fortress of Flesh and Blood(cn)
Professor Lo Yeung-guo (Hou Yao) and his students escape death from the Japanese army, and call on villagers in the countryside to form a guerrillas group. His son Lo Yung (Lau Hark-suen), however, indulges in debauchery. Entrapped by the Japanese, chicken-hearted Yung leaks information about the guerrilla that leads to deaths and injuries in the group. Yeung-guo reprimands his son for being an invisible traitor, inflicting even more harm than an outright traitor. Placing righteousness before family, he decides to execute his own son. As a writer-director-actor in the film, Hou Yao proclaimed his unwavering stance on resistance on the screen, and delivered a scathing attack on the cowardly ‘invisible traitors‘ at that time. Not long after, Hou was sadly arrested and executed by the Japanese army in Singapore.
Oldboy's Apples(en)
Join a demon, a puppy and a rat in this stop-motion headtrip about a mysterious, magically summoned apple tree. With its innovative, intricate character design and intoxicatingly evocative, genuinely strange world, Oldboy’s Apples makes for tactile, ritualistic viewing – a rabbit hole of idolatry and the id.
The Arrival of a Train at La Ciotat(fr)
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
To Be or Not to Be(en)
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Viva Tar!(id)
From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.
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