
The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.
1974-11-26
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0.0The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
5.4This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
0.0A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.
7.3The individual journeys of the four members of the band, as they move through the music scene of the 1960s, playing small clubs throughout Britain and performing some of the biggest hits of the era, until their meeting in the summer of 1968 for a rehearsal that changes their lives forever.
7.0Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.
7.6Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
6.4In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
8.0From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.
0.0A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
8.0"McCarthy" chronicles the rise and fall of Joseph McCarthy, the Wisconsin senator who came to power after a stunning victory in an election no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening America — emanating not from a rival superpower, but from within. Free of restraint or oversight, he conducted a crusade against those he accused of being enemies of the state, a chilling campaign marked by groundless accusations, bullying intimidation, grandiose showmanship and cruel victimization. With lawyer Roy Cohn at his side, he belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach. But his name lives on linked to the modern-day witch hunt we call “McCarthyism.”
6.9In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.
0.0In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
7.2Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
9.0All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
6.5In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.
0.0Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic. Larkin’s 1981 book, 'The Divine Androgyne According to Purusha', challenged repression with a spiritual vision rooted in eroticism and presented a radical path to cosmic-erotic consciousness through ‘extreme’ forms of sexual pleasure. Sanctuary explores Larkin's attempt to form a utopian, pleasure-based spiritual community, and considers the complex legacies of his ideas in queer culture. Shot on 16mm, the film weaves together the voices of Larkin’s friends and followers, creating a portrait in absentia of a figure ahead of his time.