Documentary.
1975-01-01
0
0.0Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.
0.0This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.
6.0Blending drawings, paintings, filmed interviews, and recorded testimony, this animation-documentary hybrid tells of the tragic fate of the Estonian artist Ülo Sooster.
The second part of the duology on the famous Estonian artist Ülo Sooster continues his life story, paying homage to many other great artists who were spiritually consonant with his work.
An animated film in two parts, about the tragic fate of Estonian artist Ülo Sooster and about his work.
2.0Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.
1.0An intimate conversation between two guys...
0.0A playful and original vision of the indelible mark left by Emiliano Zapata.
0.0A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.
0.0A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.
A moving introductory exploration of society's use of animals. By presenting facts about animals' rich emotional complexity and drawing parallels between the animal rights movement and other social justice movements in recent history, this video will help students use critical thinking skills to examine why and how the routine exploitation of animals continues-and they'll also learn what they can do to help stop it.
A short documentary following Koyote Moone and her medical and psychiatric service dog Banner. This film explores issues surrounding non-visible disabilities and discrimination against service dog teams.
0.0A documentary that follows the story of Dario Pasquarella, deaf director and actor, and his company. Through his work, Dario seeks to bring together the deaf and hearing community, who are usually separated by a lack of communication. In his shows he uses both languages, LIS, sign language and spoken language, to tell stories in which the deaf and hearing can live in symbiosis.
7.0The movie depicts the story of a young Mazurian boy named Mietek, who crosses the line between childhood and adulthood . He stands in close contact with nature; he decoys birds and feeds them, he catches fish. But above all he is attracted to the work of the woodcutters. He watches them as they fell the trees and he helps them load the timber onto rafts that float down the river and through the sluice-gates. Finally, he joins the raftsmen and when he receives his first salary and gives a girl his first bashful look, the time has come for him to say goodbye to his childhood.
6.3A compilation of trailers for various horror and sci-fi films, narrated and hosted by Vincent Price.
4.2Four men of different ranks play a game of tetherball on a ship's deck.
0.0Since the Russian invasion of Ukraine, many Russians have started having dreams about their president and sharing them on social media. More than a thousand dreams about Putin have now been recorded and posted on public platforms. In Dreams About Putin, a selection of these dreams have been brought to life using Unreal Engine, a 3D graphics program for creating scenes for computer games. In this exciting experiment with form, the animations are complemented by rare archival footage of the Russian president. The dreams are related by a narrator, and their “translation” into 3D scenes is not literal; likewise, the archival footage has been lightly edited. The result is sometimes dryly comic, sometimes absurdist, sometimes disturbing, and sometimes even hopeful. A series of bizarre but therefore oddly familiar nightmares as a vision of Putin’s Russia.
0.0A documentary film which portrays the dramatic chain of events leading to the invasion of the Arab armies to Israel after the Israeli declaration of independence. The film includes original pictures from the war filmed by both sides, and documentation of the leaders of the Arab forces and the Yishuv in the crucial moments of Israel's "War of Independence".
0.0A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process