After the elections that followed the Tunisian revolution, as well as the violence that shook the country, an author seeks to make a film on women's issue in his motherland. He makes his questioning the subject of his film and starts a journey.
2016-10-02
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Half blind and half deaf, ostraziced Cuban writer Rafael Alcides tries to finish his unpublished novels to discover that after several decades, the home made ink from the typewriter he used to write them has faded. The Cuban revolution as a love story and eventual deception is seen through the eyes of a man who is living an inner exile.
A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.
Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.
Most people don't think about singing when they think about revolutions. But song was the weapon of choice when, between 1986 and 1991, Estonians sought to free themselves from decades of Soviet occupation. During those years, hundreds of thousands gathered in public to sing forbidden patriotic songs and to rally for independence. "The young people, without any political party, and without any politicians, just came together ... not only tens of thousands but hundreds of thousands ... to gather and to sing and to give this nation a new spirit," remarks Mart Laar, a Singing Revolution leader featured in the film and the first post-Soviet Prime Minister of Estonia. "This was the idea of the Singing Revolution." James Tusty and Maureen Castle Tusty's "The Singing Revolution" tells the moving story of how the Estonian people peacefully regained their freedom--and helped topple an empire along the way.
A road trip across five countries to explore the social and political movements as well as the mainstream media's misperception of South America while interviewing seven of its elected presidents.
First Case, Second Case is a documentary about a teacher who sends a group of pupils out of the classroom when one of them does not own up to talking behind the master's back.
Nefertiti's Daughters is a story of women, art and revolution. Told by prominent Egyptian artists, this documentary witnesses the critical role revolutionary street art played during the Egyptian uprisings. Focused on the role of women artists in the struggle for social and political change, it spotlights how the iconic graffiti of Queen Nefertiti placed her on the front lines in the ongoing fight for women's rights and freedom in Egypt today.
Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.
Take a journey through the ever-changing landscape of artificial intelligence with this doc exploring the challenges and opportunities ahead.
The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
In 1979, a revolution in Iran. In 1980, a revolution in Poland. The fall of the Shah, the “King of Kings,” in Iran. Mass strikes and the foundation of Solidarność (Solidarity) in Poland. What was in the minds of the young women and men who fomented revolution in their own country? What did they think when their revolution was quelled, or – as in Iran – an authoritarian regime was instituted under the name of an “Islamic Republic”?
¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.
What does the violent heart of revolution feel like? As the anger and hatred glow white hot is there a language its players use to speak to one another? And what becomes of the gun toting authorities when their fiefdom is destroyed, nobody is any longer afraid, and all things are ablaze? Just some of the questions addressed in this visceral documentary from Maidan square in the violent Ukrainian winter of 2013-14.