Set in the backdrop of Maharashtra, Siddharth visits Bhanudas to collect the debt for his late brother, but things take unexpected turns when Siddharth meets his childhood sweetheart Yashodhara.
Vimal Pandey and Sandeep Mishra spews a captivating tale with “ The Holy Fish” that reflects Indian lore and beliefs. This film features two interconnected stories that compliments each other – an old man rising from his death bed, realising Moksha as his ultimate desire and begins search for a fish depicted in folklore and the next story speaks of a newly married bride facing pain of being away from her husband, wants to go to the same for materialistic purpose. “The Holy Fish” is a matrix of desire, material cravings, penitence along with beliefs and scepticism. Shot in the town of Allahabad this film evokes an authenticity to its theme and is a worthy watch.
Pipanya” by Shubham Ghatge reiterates the social, economical and personal struggles and hardships faced by folk artistes from rural Maharashtra. Pipanya is a folk artiste who has played Pipani his whole life however his life along with many other folk artistes is increasingly threatened by a fall in demand due to the rise of other kinds of contemporary music systems in traditional occasions. This film however sheds light on the Artiste Pension Schemes but highlights it’s fallacies due to inefficient bureaucracy.
Director Sidharth Chauhan's craving to dive into the world of religion and unravel it’s mysteries lead him to create an esoteric yet absorbing film “The Infinite Space”. The film deals with a young Buddhist monk who dares to believe in a secret which was revealed years ago in an old scripture and strange events follow after then. This film is truly an imaginary wilderness that proposes dilemma, conflict of mind and unrealistic thinking. FEATURING EXCLUSIVELY ON CINEMAPRENEUR
Laden with undertones of an insatiably innocent grief, this film follows the journey of a child protagonist into the darknesses of life. Centering around their first encounter with something as grave as death, it seeks to pose questions onto the varied mythologies of death created by humans. While death remains to be a natural cycle, the film's psychological interventions make for noteworthy filmmaking.
'Cosa Che Fugge' arises from the stratification of multiple images that overlap and which, by merging, give life to a new image; thus the sound is also given by multiple sound bands, dilated and reversed, which generate something other than what they are individually: a choral whole.
Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.
In 1957, decades before Steve Jobs dreamed up Apple or Mark Zuckerberg created Facebook, a group of eight brilliant young men defected from the Shockley Semiconductor Company in order to start their own transistor business. Their leader was 29-year-old Robert Noyce, a physicist with a brilliant mind and the affability of a born salesman who would co-invent the microchip — an essential component of nearly all modern electronics today, including computers, motor vehicles, cell phones and household appliances. SILICON VALLEY tells the story of the pioneering scientists who transformed rural Santa Clara County into the hub of technological ingenuity we now know as Silicon Valley.
One of the most controversial men of his age, Alexander Hamilton was a gifted statesman brought down by the fatal flaws of stubbornness, extreme candor and arrogance. His life and career were marked by a stunning rise to power, scandal and tragedy. But his contributions survive. As Secretary of the Treasury during the tumultuous early years of the republic, Hamilton led the transformation of the young country into industrial powerhouse.
Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.
Following Hannah, a queer twenty-something filmmaker, and her two sisters as they explore the globally popular phenomenon of sugar-dating where people in their 20s date older, wealthier men in exchange for money and gifts. Hannah's exploration into the lucrative life of a sugar baby challenges her morals and feminist ideals as she tries to maintain her personal relationships.
Master guru Herbie Pearlman talks to director Brian Labrecque and answers all questions religious and spiritual, for he is benevolent and wise and all seeing.
This minimalist six-minute film looks at the creation of animal life through video and time-lapse footage of an embryo’s development – a process universal to all animals, including people. The film follows, in microscopic detail, the development of an alpine newt in its translucent egg all the way from first cell division to moment of hatching.
Working underground in the year before the legalization of cinema in Saudi Arabia, a team of mostly women makes its first feature film. Anonymous accounts of their experience are brought together in a melancholic narration. In the spirit of first films, a filmmaker documents the production in Jeddah with his first video camera from childhood.
A ridiculous mini-doc about Bill Daughton and his creation of a six-foot penis costume at the Halloween Parade in Greenwich Village, New York. See Daughton dressed up in the giant penis costume, walking around campus, catching the subway, and chatting with people about the costume on his way to the Halloween Parade. (Oddball Films)
A documentary about advertisement and primarily following a man working as a billboard installer.
During the Soviet era, Ukraine was a difficult place for members of the LGBT community, and even today the country remains less than welcoming to sexual minorities. Working with archival interviews of women from the past thirteen years, the film brings together two eras and thus contributes to a discussion of today’s situation.