7 Deaths of Maria Callas
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Glass: Kepler(en)
Live performance of Philip Glass's opera Kepler (2009) by the Landestheater Linz Upper Austrian State Theater in 2011, conducted by Dennis Russell Davies.
Bizet: Carmen(fr)
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Hadrian(en)
Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.
Verdi: Don Carlo(it)
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’
Puccini: Tosca (Arena di Verona)(it)
Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have also made Tosca one of a handful of iconic works that seem to represent opera in the public imagination.
Il Trovatore(it)
Features: Mario Del Monaco Leyla Gencer Ettore Bastianini Fedora Barbieri Laura Londi Plinio Clabassi Orchestra Sinfonica e Coro di Milano dell RAI Radiotelevisione Italiana
Carmen(fr)
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
The Phantom of the Opera(en)
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Alfano - Cyrano de Bergerac(fr)
While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
Moonstruck(en)
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Fidelio(de)
Beethoven Fidelio(de)
This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.
Giordano: Andrea Chénier(it)
This live from the Met telecast from October 1996 of Giordano’s infrequently performed verismo gem is an absolute pleasure to watch and listen to and I highly recommend it. Nicholas Joel’s production is extremely elegant while at the same time being simple and uncluttered. Act I, for example, is dominated by an enormous gilt-framed mirror precariously tilted. I assume that it is a metaphor for the imminent downfall of the decadent aristocracy at the party given by the Contessa di Coigny. The costumes designs by Hubert Monloup are terrific. The prerevolutionary costumes in Act I are simply stunning each one individually tailored for the choristers and major performers.
Stars Over Broadway(en)
An aggressive agent turns a hotel porter into an overnight sensation.
Eine Nacht in Venedig(de)
The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.
Mefistofele(it)
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
Puccini La Rondine(en)
La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.
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A Walk in Time - The Adventure Continues(it)
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