L'Agneau mystique : Le Chef-d'œuvre des Frères Van Eyck

Bob Ross: The Happy Painter(en)

A behind-the-scenes look at the beloved public television personality's journey from humble beginnings to an American pop-culture icon. "The Happy Painter" reveals the public and private sides of Bob Ross through loving accounts from close friends and family, childhood photographs and rare archival footage. Interviewees recount his gentle, mild-mannered demeanor and unwavering dedication to wildlife, and disclose little-known facts about his hair, his fascination with fast cars and more. Film clips feature Bob Ross with mentor William Alexander and the rough-cut of the first "Joy of Painting" episode from 1982. Famous Bob Ross enthusiasts, including talk-show pioneer Phil Donahue, film stars Jane Seymour and Terrence Howard, chef Duff Goldman and country music favorites Brad Paisley and Jerrod Niemann, provide fascinating insights into the man, the artist and his legacy.

How the Devil Got His Horns: A Diabolical Tale(en)

Art historian Alastair Sooke traces the humanization of the Devil figure in medieval art from the tenth to the fourteenth centuries.

Enrico Caruso: A Voice for the Ages(de)

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

Liniers, el trazo simple de las cosas(es)

Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.

Little Journeys to Great Masters(en)

This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.

Dan and Margot(en)

Memories have the power to haunt us forever, whether or not they actually happened. For Margot, the man named Dan who stalked and tormented her for three years of her life is as real as any criminal—even if he's the manifestation of her first serious schizophrenic episode. Margot proves incredible strength in her first-hand accounts of her road to healing. Through art and therapy, she found relief. Through relief, she found a chance at life.

Le Sacré-Coeur : Mégastructure historique(fr)

light is the first bodily form(en)

Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.

Krag Kantora(fr)

I'll See You Again(it)

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.

Volker Bradke(en)

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.

Centre Pompidou: Ceci n'est pas un musée(fr)

A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou

Freeports: The Beauty Of Tax Free Storage(de)

Documentary that exposes the secret world of these unknown tax havens. There is a global network of tax-free storage facilities valuable goods, catering to the super rich - and it's virtually unknown, until now. Freeports feature highest security levels, confidential record keeping and an offshore legal status and are a huge potential for tax savings. The film investigates their rise, who is using them, and why.

The Art of Grieving(en)

After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.

The Arc de Triomphe: A Nation's Passion(fr)

The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.

Pedro(es)

'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.

Depero: Rovereto, New York and Other Stories(it)

Depero: Rovereto, New York and Other Stories is the first documentary film focused on the artist from Trentino, Fortunato Depero. The film investigates the figure of a man who was able to go beyond the codified circuits of the art world: his work ranges from painting to theater, from set design to photography, the applied arts to opera on radio, publishing and advertising design. Fortunato Depero was rediscovered in the late seventies and re-evaluated in the nineties thanks to the attention dedicated to him by some scholars and the keen interest of his works by French and American audiences who saw in him the most significant artist of the Futurist movement.

Ego: The Strange and Wonderful World of Self-Portraits(en)

Laura Cumming takes a journey through more than 500 years of self-portraits and finds out how the greatest names in western art transformed themselves into their own masterpieces.

Mircea Eliade et la redécouverte du sacré(fr)

Mircea Eliade was a traditionalist Romanian novelist and philosopher. Following the disaster of the Second World War, he moved to Paris and Chicago, becoming a respected and influential historian of religions. He acquired something of the status of a guru, as poignantly told in the 1987 documentary Mircea Eliade et la redécouverte du sacré. The film features interviews with Eliade at the end of his life, artfully spliced with cuts to religious imagery on a background of moving spiritual music. It was released in 1987, the year after his death.

The Business of Thought: A Recorded History of Artists Space(en)

An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.