Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.
2006-01-02
6.5
Award winning feature documentary about an art program for homeless people.
Jörg is one of the many homeless living near the Vatican. But there is something unusual about him: he appears and talks like a sort of holy man, prophesying, among other things, his next reincarnation as Jesus Christ. This transformation will enable him to drastically change the way things are on this Earth. However, beneath the delusions of omnipotence of a man fighting for glory and universal justice, we find a lonely and pained individual, frightened by the great mystery that awaits all of us.
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.
Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.
This film tells a story about an unschooled 11-year-old girl Yi-Jie, she's a truly global child who learns the world through the United Nations of Wastes while working with her YI minority parents in this recycle workshop thousand miles away from their mountain village home town
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.
Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.
COMEDY CONFESSIONS takes you on a journey into the lives of three struggling comedians who have decided to pursue their dreams of careers in stand-up comedy despite the harsh realities of being homeless. For these comedians, their cars are lifesavers providing safety and shelter at night and transportation to auditions and performances during the day. Their daily struggle to avoid sleeping on the street is startlingly juxtaposed with the extravagant wealth of the opulent mansions they park in front of at night. One of them, Tiffany Haddish will achieve her dreams to become a true Hollywood movie star, the other two, Doc Jones and Steve Lolli find the lure of the spotlight takes an unforgiving toll on their hopes and ambitions. This honest and touching movie is told in their own words revealing the passions, dedication and pains that drive them.
49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.
For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.
In Montreal, front-line workers work hard to provide appropriate care to the most vulnerable citizens in our society.
Legendary homeless activist Ted Hayes embarks on a journey to heal hearts and minds of Americans.
The Street is a gritty portrait of 3 homeless men living on the streets near Guy metro in Montreal. Made over a period of 6 years, the film follows the ups and downs of these deteriorating lives and is an intense, intimate portrait of street life.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
One of the visitors finds himself in an embarrassing situation that turns into the cycle of kindness and positive energy, which continues to pass on from one person to another.
Wedding Pullav shows the story of two best friends Adi (Diganth) and Anushka (Anushka Ranjan) who are in love but they themselves are unaware of it. When Anushka is invited to attend the wedding of Diganth this love confusion further increases. On one hand Diganth is jealous with Anushkas boyfriend while on other side Anushka do not like Diganth to marry another girl whom she initially praises. The story then moves to a stage where they know their feelings but not sure what to do next.
A sexy golddigger lands who she thinks is a wealthy big-game hunter from a royal family. What she doesn't know is that not only is he not wealthy, nor a big-game hunter nor from a royal family, but he's only a butler. Complications ensue as he tries to keep up the pretense.
Birthday of a lonely woman. Her husband died years ago and her sons left her alone. She expects only a simple telephone call but nobody calls. She makes special meals but nobody visits. She prays all day but they are not heard.
In 1918, the poet and boxer Arthur Cravan disappears in the Gulf of Mexico without a trace. Today, another boxer and artist, film director Frank Nicotra, begins an investigation that will take you behind the mysterious steps Cravan from Switzerland to Mexico, passing through Paris, London and Barcelona.
Elegant and rigorous, while surprisingly playful, Chis Kennedy’s Go Between observes the Brisbane River, passing boats, and cars on the William Jolly Bridge through an intoxicating play of masking and superimpositions.
A nice little appetizer before the Uncensored Rumble that will follow the next day. A lot of new faces present and some seem to have convinced WSU officials (Bale, D'Milo, Garrett, Hayden, Malone). Hendrix and Kaye also made a good impression, but I guess WSU and its limited number of shows do not have 50,000 seats in their roster. 09.08.2013
Spanish scientist Tomeo L'Amo bought a painting in 1989 that he believed to be an original Dalí. After 25 years of searching for the truth, an art expert in Paris changes his life.
A man and his conscience are shown on their way to paradise as the only illusion that saves him the present civilization's hell. However, it is the same people and same events that await him there.
The action takes place in one of the Transcaucasian republics in the sixties, where a campaign was launched to breed a new animal, the goat, descended from the mountain tour and the domestic goat.
A stranger invades the family life of Victor. It seems that he has a hidden secret with Victor's wife, which involves their daughter. He wants to protect his family, and he is ready to face all the consequences to stop the threat.
Uninhibited description of what Spanish verbenas are and what their essence is, and of what nourishes and constitutes them both in recreational and popular territory and in a traditional institution.
Knowing the railroad is coming, Carter is after the rancher's land. Bob and Chito return just in time to save Banker Stockton and his money from Carter's men. When Stockton then lends the ranchers money, Carter has them burned out. Bob knows Carter is responsible and when Carter's henchman Saunders is recognized, Bob goes into action.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times