Narrator
Short documentary on the Ladakh.region.
1974-01-01
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The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
A brief biography of film director Ishiro Honda.
Filming amid the flaxen wheat fields of Sicily, Vittorio De Seta documents the everyday rituals of farmers during harvest time.
Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)
A home movie made by Robbins and Meg Barstow that documents their family's free trip to the newly opened Disneyland. The one-week trip was a prize that they won in a contest sponsored by Scotch tape.
Explores the themes of trance and dance in the rituals and religion of Bali. The famous Kris Dance is performed.
An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
A short anthropological documentary from 1954. Director De Seta was fortunate enough to document swordfish fishing; by 1956 it no longer existed.
The unpredictable nature of the sea governs the world of Sicilian fishermen as they work, rest, and seek refuge from a storm.
Since 1963, the Austrian avant-gardist Hermann Nitsch has created a series of live happening, which (like Otto Muehl's Sodoma) combine cruelty, sexuality, defilement, and visual shock for purposes of purification, and "ab-reaction" of sado- masochist impulses. This is a film record of his most controversial creation: the crucifixion of a young woman, the disembowelling of a lamb carcass, and her defilement with it. —Peter Gorsen, Sexualaesthetik, 1972
For most of the world, consumption has been the unquestioned duty of every individual. Then garbage activist Annie Leonard brought her two-hour lecture to Free Range who helped her turn it into a 20-minute animated revolution. Shown in thousands of classrooms, endlessly blasted by Fox News, viewed more than 10 million times, The Store of Stuff finally opens the door to a serious cultural dialog about the costs of consumption.
The first part (winter) of a seasonal study of the Hudson river in New York.
FotoKem gives in-depth tour of the new scientific and artistic workflows that had to be invented in order to realize Christopher Nolan's unique vision of using both color and black & white 65mm film in the same motion picture
A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.
The life of Eiji Tsuburaya, pioneer of Japanese special effects.
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)
A short film containing a collection of clips from various Hollywood movies.