Beautiful Song

It's The Same Story(hi)

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

Grandma's Way Out Party(en)

Heading out west to her Grandma's birthday celebration, Lynda Barry and Kevin Kling record their adventures along the way.

The Blind Storytellers(zh)

Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.

I Dreamed I Searched for You in Heaven(en)

A documentary based upon the lives of outsider folk artists Ronald and Jessie Cooper. They became artists in their mid-fifties while living on disability after having lost their Kentucky country store, enduring multiple heart attacks, and being seriously injured in an automobile accident. The story is told through the voices of their four children as well as pioneers of the Kentucky Folk Art Center in Morehead, KY who gave the Coopers their start. The film is an account of their life tragedies and triumphs based upon the messages told throughout their artwork.

Margaret Kilgallen: Heroines(en)

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

The Forest Drum(en)

The Forest Drum follows a monster looking to make friends with the other animals that live in the forest with him. While the animals are scared of him, the monster finds a drum that he plans to use to bridge the gap between him and the others.

Finster(en)

Howard Finster, the grandfather of the Southern Folk Art movement was a pioneer that showed the world that Art can thrive outside of museums and galleries in ordinary places and in everyday objects. He took what others might deem trash or obsolete and turned it into something contemplative. He opened Paradise Garden for the world to enjoy, a true testament that Art comes to life, when people are able to interact with it. Howard Finster showed the world that objects surrounding us can take on a new life, in a sometimes-magical way, and communicate messages that can lead to transformation.

This World Is Not My Own(en)

Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.

Carving Thy Faith(tl)

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

All Rendered Truth: Folk Art in the American South(en)

A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

James Castle: Portrait of an Artist(en)

Deaf artist James Castle drew on his upbringing in rural Idaho as well as his profoundly silent inner world to create haunting paintings, sculptures and collages. He often used found objects and homemade tools to bring his vision to life. This documentary relies on interviews with Castle's family, art historians and prominent members of the hearing-impaired community to explain his inspirations, techniques and lasting legacy.

Shadow Theater(hy)

By showing the performances of the Ayrudzi troupe in Armenia, the film acquaints the audience with one of the most interesting phenomena of national culture – shadow theatre.

Tlakimilolli: voces del telar(es)

In Zongolica's Mountain Range, in the mexican state of Veracruz, naturally dyed wool yarn and excellent quality textiles are produced. Women are the ones in charge of working and teaching the art of weaving textiles with the waist loom technique. Everyday with perseverance and wisdom they masterfully wave their lives and future.

I Can Feel Another Planet in My Soul(en)

The remarkable story of Howard Finster

The Sandman's Garden(en)

This documentary examines the life and art of Lonnie Holley, a self-taught African-American artist based in Birmingham, Alabama. It follows Holley as he builds a sculptural environment out of discarded materials and found objects in the Birmingham Museum of Art’s sculpture garden. His art is by turns profound, playful, and deeply moving. As the garden grows piece by piece, Holley is revealed as a man who has overcome a tortured past. Growing up poor and black in the 20th century American South, Holley worked to overcome prejudice and deprivation by using art to explore his life and ideas. The camera captures the artist’s process and reflections as he gathers materials, creates pieces, interacts with others, and relives the joys and sorrows that forged his unique and genuine artwork.

Joe Sleep(en)

Filmed 2 years before his death, this documentary portrays New Brunswick folk artist Joseph Sleep (1913-1978) in his later life. He was born at sea and worked with and around boats, fish, carnivals, and animals most of his life. While convalescing during an extended period in the Halifax infirmary in 1973, he was encouraged to paint. What began is therapy and a pastime developed into a way of representing a lifetime of images and experience

dust: the road to where?(en)

'dust: the road to where?' is a documentary uncovering the recent success of the band dust, based in Newcastle, NSW. Viewing the ups and downs of the band and their outlook on the newly announced European tour.

La fidélité(fr)

The Story of Skinhead(en)

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

Paisiello Nina(en)

The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.