Borodin: Prince igor
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Mefistofele(en)
The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.
Mussorgsky: Sorochintsy Fair (Komische Oper Berlin)(ru)
A devil is at work in the Ukrainian village of Sorochintsy, terrifying residents and travellers alike. Among them a farmer whose daughter is not allowed to marry her lover because her quarrelsome stepmother is against it.
Bellini: I Capuleti e i Montecchi(en)
The story of Romeo and Juliet, who pay for their passion with their lives, has been interpreted in the widest variety of literary and musical genres ever since the Renaissance. Vincenzo Bellini's much too rarely staged Romeo and Juliet opera, I Capuleti e i Montecchi, is far removed from Shakespeare's version: rather than telling the story of a tenderly burgeoning love, the piece is an account of the last 24 hours in the two young people's lives. The underlying mood of the piece is thus one of melancholy - which then develops into a catastrophic maelstrom. The première of the thrilling Zurich production of this bel canto gem, directed by Christof Loy and conducted by Fabio Luisi, was enthusiastically received by critics and audiences alike. The two protagonists also met with acclaim: experience world star Joyce DiDonato in the trouser role of Romeo, with the young Ukrainia soprano Olga Kulchynska at her side as Giulietta.
Lohengrin(en)
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?
The Golden Cockerel(en)
‘A beautiful song – a shame that it shows such disrespect to the Mayor!’ This remark from the score of The Golden Cockerel highlights the delicious ambiguity of this work. Principally inspired by Washington Irving and Pushkin, Rimsky-Korsakov called on the talents of Vladimir Belsky, an author of other libretti of a fairy-tale, legendary nature and an expert on Russian folk literature. The composer, a genius at orchestration, has given us sparkling music, with oriental touches, that creates fully rounded characters. This is the perfect occasion for Alain Altinoglu to direct his first opera in his new role as Music Director of La Monnaie. After the success of his Don Quichotte and Cendrillon, Laurent Pelly returns to La Monnaie to stage this exuberant political satire, an adventure in unrestrained rhythm. More than a century has passed since its first performance, yet the opera has lost none of its boisterous sarcasm.
Beethoven: Fidelio(de)
Beethoven's opera Fidelio, conducted by Karl Böhm, featuring Gwyneth Jones as Leonore and James King as Florestan
The Narcissistic Fish(en)
A phone call during a busy shift in the restaurant kitchen of The Narcissistic Fish sparks a war between the owner Angus and his brother Kai. As they argue over their dead father, talented and underpaid chef Belle has a revelation of her own. Join Scottish Opera’s Emerging Artists (Charlie Drummond, Mark Nathan and Arthur Bruce) for a visceral exploration of the clash between class, gender and workplace pressure in 21st century Scotland, in this brand new digital opera with music by Samuel Bordoli, libretto by acclaimed Scottish writer Jenni Fagan and directed by in-house film-maker Antonia Bain.
Opera Australia: Aida(en)
Verdi’s monumental music makes this historic epic an enduring favourite. Davide Livermore’s radiant production is a thrilling theatrical experience. Ten towering digital screens create ever-changing floor-to-ceiling set pieces. Immersive digital video design ranges from rich symbolism to vivid landscapes. Opulent costumes and props reflect the splendour of Egypt at the height of its power. Together with dramatic video, the massed grandeur of the famous Triumphal March is a visual and musical feast.
Opéra National de Paris: Robbins / Millepied / Balanchine(en)
Director of Dance Benjamin Millepied pays tribute to his masters, George Balanchine and Jerome Robbins, two truly great choreographers, both of Russian origin, who led the American School, and dance in general, to rarely attained heights.
Verdi - Ernani(it)
Ernani is a gripping drama about love and revenge by Giuseppe Verdi. Written in his unique style it brims with poignant arias, rousing choruses and enthralling ensemble scenes. The rebel leader Ernani recognises his father's murderer in the Spanish King Carlo and seeks revenge on him. Both men love Elvira – as does old Silva whom she is to be married to ... Director Lotte de Beer and her set and costume designer Christof Hetzer devote themselves to the fictional plot which bears references to the 16th century. They demonstrate their rich scenic imagination in this production, conducted by Enrique Mazzola who “provides musically magic moments at the stand of the Wiener Symphoniker” (Schwäbische Zeitung). “Great singers, fiery music and an action-packed staging” (Allgäuer Zeitung). “A mixture of Tarantino’s ‘Kill Bill’ and Monty Python’s ‘The Knights of the Coconut’” (Deutschlandfunk).
Vivaldi Orlando Furioso(en)
For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
Adriana Lecouvreur(it)
Francesco Cilea's Adriana Lecouvreur concerns a doomed love based on a real story about an actress involved in a famous love triangle. Mirella Freni sings the title part in this production that was broadcast on television originally in 1989. Gianandrea Gavazzeni conducts the orchestra. Live from La Scala, 1989
Arthur(en)
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
Les Troyens(fr)
After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.
Gluck: Iphigenie en Aulide / Iphigenie en Tauride(fr)
Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.
I Capuleti e i Montecchi(en)
Bellini's radiant retelling of Shakespeare's Romeo and Juliet is a beacon in the bel canto tradition. San Francisco Opera's co-production features two of the greatest voices in bel canto together for the first time: mezzo Joyce DiDonato and soprano Nicole Cabell. Their compelling duet is one of the finest marriages between two voices in many, many years. The production, directed by Vincent Broussard and featuring costumes by Christian Lecroix, is captured in brilliant HD.
7 Deaths of Maria Callas(en)
A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.
Magical Maestro(en)
After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.
The Metropolitan Opera: Aida(it)
With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.
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Amber, a mean popular girl who gets electrocuted and dies, is not allowed to enter into heaven unless she helps the least popular girl in school become Prom Queen within a week, but things do not go as planned.
Trash(es)
Ansio Bruselas must overcome the phobia that keeps him prisoner in his tidy, comfortable and safe home, because of the certain possibility that her sister will have her breasts amputated with a tool as unsubtle as a saw. The journey does not seem difficult: find a box with a mysterious content and take it to where Ana Ele, the sister , is held captive. He only has to arrive as quickly as possible to his destination, with box and its contents intact. However, Ansio's innocent curiosit , and phobia will turn his simple journey into an endless succession of strange and incoherent events. Because reality is reality until it's not anymore, you know?
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John Falk is on a routine mission with the Gothenburg police special unit GSI. With the help of a Norwegian undercover police and a civilian infiltrator in one of Gothenburg's heaviest criminal gangs, the GSI are trying buy six assault rifles and thus get them off the street. But suddenly everything changes when a new unknown player suddenly and immediately wants to buy not only those weapons but even more, including armor-piercing shells. GSI realizes that this can not be any ordinary robbers. Someone will start a war on the streets of Gothenburg. At the same time as the situation gets more and more complicated for John Falk's infiltrator Frank Wagner when the leader of the gang he infiltrated realize that one of his own leaking to the police.
Doctor Who: The Doctor, the Widow and the Wardrobe(en)
It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish.
Scooby-Doo's Greatest Mysteries(en)
SCOOBY-DOO fans have spoken! 4 of SCOOBY-DOO'S most popular mysteries - selected by the fans themselves - are now available in this fun DVD. Watch as Scooby-Doo gets into a mixed-up mystery when he unexpectedly meets the seaweed-covered ghost of Captain Cutler in "A Clue for Scooby-Doo!" Next, see the seafaring sleuths collide with a mystery ship and try to uncover clues to a vanished crew in "Hassle in the Castle!" Then, follow Scooby-Doo and the Mystery, Inc. gang as they outwit a bank robber in "Jeepers, It's the Creeper!" And finally, see them take to the stage to crack some crazy capers in "The Backstage Rage."
Public Speaking(en)
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Secrets of Palace coup d'etat. Russia, 18th century. Film №7. Viva, Anna! II(ru)
Europe and Russia are shocked by the unexpected death of the young Emperor Peter II. He died at the age of 14, leaving behind neither an heir nor a will. Who will get the crown of the Russian Empire? A fierce struggle for power begins. Having chosen Anna Ioannovna, the Privy Council hoped to use her as a puppet and a screen for the implementation of their own selfish plans. But the nobles were mistaken - the people do not like eight tyrants. Let there be a tyrant, but only ONE!
The Bridge Partner(en)
A timid housewife is jolted into a fight for her survival or sanity when she thinks she hears her new partner at a weekly bridge game whisper a shocking threat.
Las de Caín(es)
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Chunauti(ne)
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Five Hundred Miles(zh)
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A devoted family man in rural Wisconsin gives up the security of a successful 20-year career to pursue his dream in the boom-or-bust world of pinball manufacturing. While trying to break into a tough competitive market and build a thriving business, he must navigate the bumpy roads that new startups inevitably face, without plunging his family into financial ruin. THINGS THAT GO BUMP IN THE NIGHT: THE SPOOKY PINBALL STORY chronicles the journey of The Emery Family – Charlie, Kayte, Morgan (“Squirrel”), and Corwin (“Bug”) – as they meet the challenges of building their family-run business in the small community of Benton, Wisconsin. With no backup plan, Charlie and his Spooky Pinball team are all-in and committed to doing whatever it takes to succeed.
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