Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.
A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history
Vladimir Horowitz's piano recital in 1982 at Royal Festival Hall in London.
A documentary on the life and work of the composer Sofia Gubaidulina.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.
Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.
Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
Vladimir Horowitz's piano recital in 1987 at the Musikvereinssaal in Vienna.
A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.
This was recorded over three nights at the Philharmonie in Berlin. It does, however, provide a fitting close to the career of Claudio Abbado, conductor of the Berlin Philharmonic from 1990 until May of 2013, when the music here was recorded.
Discovering a wealth of Beethoven's forgotten Gaelic songs, Michael and Allan MacDonald stage a concert featuring both Beethoven's and the ancient Gaelic versions.
This Royal Albert Hall Concert, presented now on DVD, was also available online through live streaming. It is difficult to remember the last time any concert gave me so much pleasure and insight, and sent my soul soaring to such heights of joy. So many beloved piano pieces, so magnificently performed! Valentina has scaled the heights of technique, knocking off 'impossible' Liszt pieces like a stroll in the park. She melds with the piano with such assured ease that she can milk every piece for musical content and subtlety, reminding us of the great Hoffman, who also loved to play each piece a little differently every time, tapping deeply into the inexhaustible potential of a great composition, perpetually finding fresh ideas and magnificent new interpretations.
Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family.
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.