What a lover can be?

Picture Proof(en)

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

Step Into the Third Dimension(en)

Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.

¡Al fútbol!(es)

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Getting Together(en)

A documentary about socialising and society in early 1970s New Zealand.

Shelter at Home: Where Are They Now?(en)

Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.

K'i Tah Amongst the Birch(en)

Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.

Thursday(en)

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Z vôle ľudu zrodené(sk)

Carnival: Looking for Paulo 'Miller'(pt)

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

Con Traje y Sin Zapatos(es)

Strade perdute - Filmmaker 23(it)

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

Sprængning af Træer i Dyrehaven(da)

A group of military men uses explosives to de-root trees.

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'(en)

An interview with cinematographer Richard H. Kline talking about his filming experience in Brian De Palma's film The Fury.

Kylvan, The Deaf Pup(fr)

Kelvan describes his daily life as a deaf person in Montreal, with one small detail: he's part of the puppy community. Puppy-Play is a kind of role-playing game in which you adopt the personality and mentality of an animal, and is present in the LGBTQueer+ community.

The Creepypasta Episodes: Remastered(en)

A documentary covering the remastering process of first season of the horror anthology series that adapts internet horror stories into short, interconnected films.

Mother(mk)

Stole Popov's Oscar-nominated Dae depicts a group of Roma celebrating St. George's Day. The documentary doesn't contain dialogue, just footage of the festivity.

Contra a Maré(pt)

My age, yours, and the age of the world(es)

After the earthquake, my grandmother is facing the loss of her apartment.

Almantal Yu’un Lekilal(es)

Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.

Studio 2(en)

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.