At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...
1988-06-06
5
A funny story about a life of a big department store and its employees and customers.
GCW presents Fight Club straight from the Showboat Hotel in Atlantic City, NJ! The event features the GCW World Championship match where Mox defends against Gage in a match that we have been waiting for during the last decade. Who will be the new GCW World Champion?
A struggling writer searches the streets for inspiration as he works on a new screenplay, as his boss haggles him for new ideas.
Set primarily before the events of Kamen Rider W Forever, Kamen Rider Eternal tells the story of Daido Katsumi, the formation of NEVER, the mission that led them to target Fuuto, and reveals just how Daido obtained his Lost Driver and got his first taste of the power of Kamen Rider Eternal. As a mysterious woman retells this story to Phillip and Shotaro, they realize that Daido may not have been the simple monster he first appeared to be…
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.
If you cannot nurture honesty in your own home, you have no moral or ethical right to preach such values to society. Appa Thosar, a renowned mathematics teacher in the Konkan embodied this principle all his life. He is extremely fond of his grandson Vakratund who is a topper in Maths. Coincidentally, Appa comes across a nerve-shattering truth Vakratund has been successful through unfair means. Siddhant a sensitive story about moral courage and emotional turmoil.
Ghosts and a young cadet try to save a military academy from being closed.
One of two towns will be selected to be the County Seat and Editor Palmer has a gang working to make sure his town is chosen. Investigating the lawlessness, Red Ryder poses as an outlaw to get into the gang hoping to find out who the boss is. But Palmer knows Red and exposes his true identity when he arrives and Red and Gabby then find themselves prisoners of the gang. [Written by Maurice Van Auken]
Grace plans to stay up all night at the library to meet a deadline, but things get weird once her friends leave. A UON FMS production.
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
The staff of a film production company encounter the unknown while investigating the folklore and dark tales of Chichibu.