Steel 'n' Skin

Back To Africa(en)

Athens Rising: The Sicyon Project: Volume One(en)

Featuring dozens of performances from the living rooms, backyards, and unconventional venues throughout Athens, GA, the first Athens Rising film takes a deep look at music, dance, food, stand-up comedy, strange theater, visual art, and the origins of AthFest.

Dance(fr)

Home movie from Man Ray featuring dancer Jenny gyrating in black and white.

Juliet(fr)

A late period home movie with Man Ray and his lovely friend Juliet Browner lounging together in the US. Man Ray had returned to America when the Germans occupied France.

Bullfight(en)

Anna Sokolow’s choreographed reinterpretation of a bullfight. Sokolow plays the matador, an audience member, and the doomed animal.

Dave Chappelle's Block Party(en)

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

Madonna: Truth or Dare(en)

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

The Performance(en)

Hussein learnt to breakdance from a soldier in Iraq as a kid, then chased his American Dream to NYC. Now a choreographer, he mistakes a shot at success for a breakthrough and loses everything, but will do whatever it takes to keep dreaming.

Nureyev(en)

An insight into the life of the world's most famous male dancer, Rudolf Nureyev.

Dance for All(en)

Cavalcade of Dance(en)

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

When I dance(en)

Four dancers from Israel, Spain and Italy decide to take part in a cultural project and investigate the stories of some refugees from Pakistan living in camps outside Berlin. A reflection about the possibility of the body to tell stories, deleting social and ethnic distinctions, and connecting people from different groups.

Vanity(es)

My Really Cool Legs!(en)

My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.

Bare(en)

The tendency in the world is right-wing, neo-liberal, and people are more controlled. We have less liberty even if we think we have more. The last territory where we can be ourselves and where we can have full freedom is our own body. The documentary "BARE" focuses on male nudity in the modern dance. The story follows a well-known Belgian choreographer Thierry Smits through a process of building his new creation with a group of male dancers performing bare naked.

Moto Contínuo(pt)

An immersive look at São Paulo Dance Company

Danse de l'éventail(fr)

A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.

Ballet, 'Le carnaval de Venise' II(fr)

A group of women dressed up as Commedia dell'Arte characters dance together.

Bal d'enfants(fr)

A group of ten infant girls are on a playground. They are in pairs, matched in height. They are doing an organised dance. Each pair twirls simultaneously, while all five pairs rotate in a circular sequence. They often stop their circular rotation so that each pair can perform the same manoeuvre as the other four simultaneously. (IMDb)

The Sculpture of Place & Time(km)

Phnom Penh-based dancer Prumsodm Ok—a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA—demonstrates the meticulous form of Khmer dance. This short draws a parallel between the nature of film as a time machine and the dancing human body as both fundamentally dynamic and temporal. Within the frame beckons a prayer for healing and empowerment in the face of violence and conflict.