Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.
A documentary about Italian immigration in Brazil.
A film about Princesse, a 9-year-old Cameroonian, and her father, who leaves Africa to make their dreams come true. The two keep in touch through numerous phone calls. Princesse goes to school while her father is trying to make it in Paris cleaning streets and selling souvenirs that enable him to send nice clothes to his daughter – and a smartphone that she’s been begging for.
An unusual friendship in an agitated political context.
In Greensboro, NC, a small church community offers sanctuary to Juana Ortega, a Guatemalan grandmother threatened with deportation after 25 years of living and working in the United States.
Over a thousand immigrant workers from the highland of Maya community of Jacaltenango, Guatemala live and work in Jupiter, Florida, a costal resort town. The two towns are thousands of miles apart. Brother Towns/Pueblos Hermanos, filmed in both Guatemala and the U.S., chronicles how and why people migrate across borders, how people make and remake their communities when they travel far from home, and how people maintain families despite their travel. Brother Towns/Pueblos Hermanos is story of local and international controversy. News of undocumented immigrants is familiar in nearly every community across the U.S., and citizens must choose how they respond to this issue. Our story includes voices of those opposed to undocumented immigrants as well as advocates helping migrants who seek work and hope, whether documented or not.
Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.
This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.
A group of children living on the streets of Athens. Among them is Sayid, a twelve-year-old boy, who works all day selling sunflower seeds in the city’s parks and squares. His existence borders on absolute poverty, as he goes looking for food at soup kitchens. His daily routine in the chaotic capital of Greece is a continuous struggle for survival. At the same time, however, he manages to find and enjoy the freedom the city streets can offer. Sayid, along with his friends who are all immigrants from Afghanistan, escape their desperation by clinging onto their hopes. With them, he plays innocent childhood games and dreams of a better future: He wants to leave for Northern Europe, to go to school, and to get a decent job when he grows up. Sayid is trapped in Greece, a country plagued by a financial crisis, increasing unemployment, rampant xenophobia, and racist violence. Sayid doesn’t mince his words: “I’ve been here for about two years, and it feels like twenty.”
Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.
The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
Follow the exceptional spirit and drive of mixed martial arts (MMA) fighter Tatiana Suarez as she prepares to reenter the cage after nearly four years away from the sport. Suarez reflects on her journey from wrestling prodigy to professional athlete and the legacy she leaves young women, particularly those in the Latina community.
At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men.
A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.