Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.
1956-02-01
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He destroyed his victims but saved their heads!
In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
The film documents the night life scenes of both Hong Kong and Macau, from nightclubs, sauna baths to young ladies making category III VCDs.
What starts out as a voyage to the West in pursuit of the American Dream quickly turns deadly for the Donner party after a series of bad decisions and severe weather. Trapped in the Sierra Nevada Mountains, this group of nearly 80 settlers fell prey to sub-zero temperatures, torrential rainfalls, extreme heat, and ten-foot snow drifts. Punishing storms trapped the party with nearly no food or shelter for 5 months in the Sierra Nevada mountains. Many died, some succumbed to cannibalism to survive, and others delved deeply into their faith while waiting to be rescued. “The Donner Party” explores this exciting journey through a hybrid of first-person narration, remarkable reenactments, expert interviews, CGI, and archival materials.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.
Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
A documentary about the end of the colonial era in Africa, portraying acts of animal poaching, violence, executions, and tribal slaughter.
Three tales from Sacramento's lurid past. The Vampire of Sacramento, The Batgirl and Palm Sundae.
It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
With reference to little scientific theses, sexual rituals and preferences around the world are shown.
This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.