Amazing Grace

Frantz Fanon, trajectoire d'un révolté(fr)

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

Die weiße Gefahr(fr)

Djembefola(fr)

African drummer leaves village, makes it big in the world. Great drumming!!

Safari Ya Gari(en)

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

Beatrice Phiri(en)

Beatrice is an 18-year-old young reporter with the Children’s Radio Foundation (CRF) in Lusaka, Zambia. She is part of the Unite4Climate Radio Initiative, a project which uses the power of radio to challenge mindsets and shift behaviours around environmental protection.

Mwanza Youth(en)

In partnership with the MasterCard Foundation and local partner Mwanza Youth and Children Network, the young reporters produce and broadcast radio shows that illustrate how farming can lead to individual prosperity and country-wide economic growth and teach the business and finance skills necessary to manage these small agricultural enterprises.

Farewell the Last Man(it)

A Castiglioni Brothers mondo film about the practices and rites of several native African tribes.

Wodaabe: Herdsmen of the Sun(de)

Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young men strive to outshine each other and attract mates by means of lavish makeup, posturing and facial movements.

Rivers of Danger(en)

The rivers of Africa bring life and abundance to their inhabitants, but they can also be the arena for some of nature's greatest challenges and dramas. Harsh seasonal cycles dictate the course of life - and death - along the rivers. Only the fittest survive crossing the crocodile-infested Mara, the extreme drought of the Luangwa Valley or any of the many other perils harbored by rivers all over the continent. With cunning and opportunistic hunters of all sizes lurking in the waters or prowling the banks, "Rivers of Danger" is a predator's world.

Rivers of Giants(en)

Africa is a land of giants. Its powerful rivers sculpt the earth and form impressive valleys and waterways that are home to many imposing and powerful inhabitants. These are the rivers where massive elephants and hippos live, feed and drink, and where ancient crocodiles hunt and breed. They share the rivers with porcupines, the martial eagle, and the leopard.

The Crimson Wing: Mystery of the Flamingos(en)

In the remote and forgotten wilderness of Lake Natron, in northern Tanzania, one of nature's last great mysteries unfolds: the birth, life and death of a million crimson-winged flamingos.

Memory Books(en)

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Africa, Blood & Beauty(fr)

This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.

White Man with Black Bread(de)

Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.

God Grew Tired of Us(en)

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

Mariner of the Mountains(fr)

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

100 Seconds to Beat the World(en)

The story of Kenyan athlete David Rudisha, the greatest 800m runner the world has ever seen, and his unusual coach, the Irish Catholic missionary Brother Colm O'Connell.

Running With The Beest(en)

Dawn of the Damned(fr)

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Aimé Césaire, un Nègre fondamental(fr)