Space in the Brain

Sulle tracce di Maria Lai(it)

The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.

Thermonuclear Art(en)

The sun is always changing and NASA's Solar Dynamics Observatory is always watching. Launched on February 11, 2010, SDO keeps a 24-hour eye on the entire disk of the sun, with a prime view of the graceful dance of solar material coursing through the sun's atmosphere, the corona.

Art is More Precious Than a Hot Dog(en)

"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Alvoroço Nas Escolas(pt)

This is a mix of documentary and fiction. Making of the project carried out by the producer ALVOROÇO FILMES with the support of the MUNICIPAL MUNICIPAL DE ALVORADA and SMED.

Chihuly: Roll the Dice(en)

Seattle artist Dale Chihuly and his team test the limits of working in the glass medium as they pioneer “a new creative concept.” This documentary depicts Chihuly’s five-year creation of "Rotolo." The Italian word for coil, Rotolo is a series of large-scale sculptures twisting upward toward the sky.

Make(en)

MAKE is a feature-length documentary for the modern creative, produced by the team at Musicbed. This film is a question. A conversation starter. It's an examination of the reasons we create and the things that drive us to make something new - passion or success. The film looks to examine the myth of creative success and what it means to live a healthy life as an artist.

Mishima: A Life in Four Chapters(ja)

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

They're All Painted If You Actually Look(en)

An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.

Circle of Light(en)

This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent has been said to 'push photography beyond its own limits, liberating it to the status of an entirely creative art form.' Inspired by nature, and being more responsive to feeling than to thought, Miss Bone has sought to express the mystery and beauty of the inner vision through photographic means alone: landscape has the quality of a dream; children on the sea-shore have a sense of their own enchantment, trees are forboding and strange when night moves in their arms. It took Miss Bone twenty years to find the right technique and so overcome the limitations that photography would impose.

Day of the Organ Grinders(es)

A day in the life of an 'organillero' as he plays his music in the streets of a Chilean city.

Noticias(es)

An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.

Tales of the Marvelous and News of the Strange(en)

Ahmed (Ahmed T. Ragheb), an Egyptian-American aspiring actor, anxiously awaiting news of his latest film audition, gives in to his superstitions and sets off on a journey across Pittsburgh, trying to force the hands of fate. Lily (Grace Cooper), a photography student, meanwhile, criss-crosses the city unseen on a journey of her own, photographing and recalling scenes from her past.

Michelle(xx)

The Big Wheel(en)

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Closed Vagina(ja)

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

This Is Not a Dream(en)

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Man with a Movie Camera(ru)

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Logistics(xx)

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Jeune femme à sa fenêtre lisant une lettre(fr)

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»