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The World and Its Woman(en)
A Russian peasant girl rises to fame as an operatic diva. She becomes beloved of a Russian prince. When the 1917 revolution overthrows the czar's government, the pair attempts to cross the icy steppes and find their way to America.
The Gingham Girl(en)
Sweeter, faster, breezier than a flapper's kiss. Better than a buggy ride on a June night. The comedy-romance of a small town girl who showed New York that a good thing from "the sticks" is bound to get ahead.
The Masquerade Bandit(en)
A young woman, Molly Marble, is enmeshed in a train robbery by her crooked step-father. She meets a stranger, Jeff Morton, and suspects he knows where the loot is hidden. For the sake of her relatives, she must try to 'vamp' this information from him but, instead, she falls in love with him.
The Fate of a Flirt(en)
Sir James Gilbert, a British peer, wagers that he can win the love of a particular young American woman for whom he has his heart set. Disguised as a chauffeur, James shows his love to Mary Burgess, niece of his wealthy employer, John Burgess. To obtain the consent of Mary's aunt, the couple involves her in a harmless trick. A villain threatens blackmail and attempts to pass himself off as the Sir James Gilbert. After a variety of adventures, the blackmailer's schemes are defeated. The young woman's hitherto hostile relatives are surprised and pleased when, instead of a chauffeur, Mary becomes the bride of Sir Gilbert.
I'll Follow You Down(en)
After the disappearance of a young scientist on a business trip, his son and wife struggle to cope, only to make a bizarre discovery years later - one that may bring him home.
Sisid(tl)
“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.
The Runaways(ar)
Two girls leave Alexandria, to go to Cairo. They look for fame in the art scene of the big city. Relying only on their beauty, they don't get a lot of luck. One of them returns to Alexandria while the other works as a belly dancer.
The Brute(en)
The brute is a gambler, boxing manager and underworld boss who mistreats a young woman. She is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.
Country Teachers(zh)
When a woman is forced to work as a teacher in rural mainland China, she sees a clear goal. If she can become a certified, government employee, then she can teach her students and make a better life for herself at the same time. She carries a heavy responsibility, however. For most of her students, the education that they receive in her classroom is the only preparation they will have for the entrance exams to college-the only avenue out of poor, rural life. Can she balance her needs and the needs of so many young, hopeful people?
Eastern Wind(he)
Against the backdrop of a land dispute between Jews and Arabs in the Galilee, an unusual and hopeless romance develops between Chava, the urban sister of Gedaliah who owns the land, and Khaled, his Arab laborer.
Hiroshima(ja)
Historical fiction about the aftermath of the atomic bombing of Hiroshima, Japan, on 6 August 1945, and its effects on various civilians, especially children, of that city.
The Gulf War... What Next?(ar)
The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.
