From Regina's personal and visual memories, a tribute to her uncle Thomas, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
In the heart of the Douro Valley, the sun still illuminates the last gestures of the grape harvesters. The abundant nature sees the children wandering around, the landscapes change over the hours but already, a light wind lets herald the end of the holiday.
Life drums the playfulness out of a boy as he grows up.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.
As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.
A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.
One night Mia has a premonition. So after saying a few words of parting at her mother’s grave, she sets out on a cross continent journey, though mountains and jungles in search of her father, who has been trapped in a landslide at a construction site on a remote tropical lake. In the middle of the lake stands the ancient Tree of Life, watched over by innocent, bumbling forest spirits called the Migoo, who grow and change shape as they please, morphing from small childlike beings to petulant giants. The Migoo have been disrupting the construction to protect this sacred site – and now together with Mia they join in a fight to find Mia’s father and save the Tree, with the future of life on Earth hanging in the balance.
A portrait of growing up told through filmmaker Sean Wang's middle school yearbook. Go Hornets.
A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.
Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.
Writing a letter to Paul B. Preciado, trans philosopher and filmmaker, as one would write to a friend. Undertake a healing process as a queer child growing up in a Spanish evangelical family. From Lausanne to New York, Lézio Schiffke-Rodriguez follows in the footsteps of revolutions that invite us to redefine our vision of binary bodies.
An eulogy to growing up in freedom with its ups and downs. The director, Sara Bonaventura gives us an insight in radical pedagogy and Emilia Reggio's experience based education, which she is a strong advocate for.
Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.