Emery
Eve
J.P. Tannen (Jon Voight) wants a second chance to be a father to his children ... but someone else has taken his place. Determined not to just be a friendly 'uncle' in their lives, he gets permission from his ex-wife Kathleen (Millie Perkins) and her new husband (Richard Crenna) to take the kids on a Mediterranean cruise. On the journey he comes to realise it's not that easy and, feeling overwhelmed, begins to doubt his abilities until a tragedy back home forces him to become the father he always hoped to be.
An early short by Wolfgang Büld, in which he wanted to depict the pleasant, mundane songs and movies of the 50s. The film was supposed to be like a song by Peter Kraus or Ted Herold.
Mercedes, Max, Krull, Stephan and Karin live in an apartment in Munich. Krull loves Mercedes in vain, Karin thinks boys are horrible and takes part in competitions. She wins an evening with Udo Lindenberg. Pursued by Krull, Karin and Mercedes leave the apartment. Stephan and Max are left alone. While Karin goes to the hairdresser for the evening, Mercedes meets Simon, who drives a large truck. They decide to get married and have seven children.
Tim, a loving father struggling to cope with his adventurous son's cancer diagnosis. In an effort to bring some joy to his child, who is weakened by treatments and forbidden to go outside, Tim brings him a red balloon from the boardwalk every day. When Tim begins to realize that instead of protecting his son, he is actually holding him back, the kindhearted balloon vendor becomes an unlikely ally, and Tim learns to enjoy every last moment with his son.
Four English women, unhappy with their lives, rent an Italian villa on holiday.
A Pakistani involved in a planned attack in New York City experiences a crisis of conscience.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
The Full Monteverdi follows the simultaneous break-up of six couples, from shocking revelation, vengeful anger and erotic longing for reconciliation, as an ensemble film. Vulnerable and disarming, it draws viewers into its emotional journey and intensely moving portrait of contemporary love.
Intercutting live action footage with animation, a depiction of the possible memories, repressions and fears of the leading character. The animated sections are monologues by a male figure drawn to highlight the tension between rigid and fluid body structures, skeleton and flesh.
Every choice has a consequence. But what if the flip of a coin could trigger two separate but parallel destinies? Bobby and Kate are a young New York couple at a crossroads whose lives are about to take very different directions. A seemingly ordinary July 4th is cleaved in two by the flip of a coin. One path leads them to gentle discoveries about family, loss and each other on a visit to Brooklyn, and the other plunges them into an urban nightmare of pursuit, suspense and murder in Manhattan.
Giorgio's Lobster Farm has been a tradition in Brooklyn for over 65 years. Manned by an eccentric crew and serving the best seafood in the state
Wada, a salary man, is enlisted to venture off to China to investigate a potential Jade mine. After his arrival, Wada encounters a violent, yet sentimental, yakuza, who takes the liberty of joining his adventure through China. Led on their long and disastrous journey to the mine by Shen, the three men come across something even more magical and enticing.
The Envoy, a lunar nymph, falls to Earth and has his magical man stolen by Mulhomem, who will only return him in exchange for the message he carries. Free adaptation of Hagoromo (The Cloak of Feathers), classic piece by Motokiyo Zeami (1363-1443).
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Porn Star Grayson Lange along with Addison Graham and Robby Valls star in a film about two mercenaries on a secret mission in the jungles of South America. Once captured, their last night together will reveal dark secrets and create sexual tensions. So much so that it will cause unforeseen collateral damage that stretches well beyond the jungle. This highly provocative and erotic film was part of Eroddity(s) 2. Now re-worked as a stand-alone short the film seems to take on new meaning.
Two young friends, John and Paul, sell ecstasy to escape a rundown suburb under the guidance of a paranoid drug dealer, but the plan is complicated when John falls in love with Arianna.
A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.
It's autumn in New York. Sam has broken up with his girlfriend and his father has recently died. World-weary and sloppy drunk, he finds temporary solace in the arms of Anna, a mysterious vampire who draws him away from his friends and into a web of addiction and madness.
A Chicago journalist suffering from memory loss takes leaves from his job and returns to his rural hometown, where he bonds with his Alzheimer's impaired uncle Rollie and his old flame.
After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.
A pair of Chicagoans meet-cute one chilly evening leading to an all-night affair and a quaint morning after... well mostly quaint 💕
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
A young photographer's home is haunted by it's former residents.
When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
A young father and his two children struggle to find harmony after his wife leaves them for another man.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
An opportunistic singer woos a wealthy widow to boost his career.
A crafty child who wants to see his mother again after her death, finds a way to do it.
This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri