Αγάπη στο σπίτι του λόφου

Η Αμαζόνα του Τσίρκου(el)

Άλλος για το τρελάδικο(el)

Ο εφιάλτης(el)

Στον Αστερισμό Του Λαμπάντα(el)

Το ράλλυ του έρωτα(el)

Η χήρα με τα κόκκινα(el)

24 ώρες με έναν σταρ(el)

Γκόμενα Υψηλού Κινδύνου(el)

Θηλυκό Kεντρί(el)

Πεινασμένος και τζέντλεμαν(el)

The life of a sidekick goes from bad to worse as it can not find a job and do not have to eat. Returns Thessaloniki disappointed and determined to kill himself, but knows a rich girl, prepared and this put an end to her life.

Και Ο Πρώτος Ματάκιας(el)

An unruly voyeurism, Simos, works in a hotel as a bourgeois. A gang of burglars has put in the eye of the hotel's safe. The members of the gang - five in number and very pretty women - are staying at the hotel, waiting for the proper opportunity for the burglary. Meanwhile, the hotel's daughter, Myrto, seeing that the hotel is not doing well, and believing that some people sabotage the business, represents the receptionist, in order to learn from the inside exactly what is happening. The passion of Simos makes him a companion of the five women's gang's plans, both to frustrate the burglary and to win the hand of Myrto, who has fallen in love with him.

Θηλυκό θηριοτροφείο(el)

Τρελλάδικο Πολυτελείας(el)

Sometimes clumsy, sometimes amateurish, a well-meaning private eye is assigned the task of uncovering a conspiracy involving his old friend's sweetheart. Will he finally manage to get to the bottom of it?

Λαλάκης ο εισαγόμενος(el)

Και Πετάει... Και Πηδάει(el)

Απαγωγή Στα Τυφλά(el)

Stathis, who is the director of a corporation, after the death of his lord confesses his daughter, but her mother, who is also a major shareholder in the company, wanting to dominate the situation itself, degrades her name. Stathis' reaction is direct and "satanic". He devises a kidnapping pattern of his stunt during a fun party they give at home, but the authorized kidnappers make a mistake, and in his place they capture him. His mother-in-law refuses to pay the ransom and he is in the most difficult position to convince the kidnappers that the target was not his but his poor homeland.

Ο Παπασούζας(el)

Για ψύλλου πήδημα(el)

Ο Αγκαλίτσας(el)

Ρόδα Τσάντα και Κοπάνα 2(el)