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My Mother Can Sing But She Doesn't(bn)
Filmmaker and her mother, a village housewife: their experiences of life, abusive marriages, violence, and home. Although it’s a personal story, it could be the story of countless women in a patriarchal society of Bangladesh.
Women 50 Minutes(zh)
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
Club Native(en)
With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
Sieben Mulden und eine Leiche(de)
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
The Real Beauty and the Beast(en)
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
Diana: In Her Own Words(en)
Using home videos recorded by her voice coach, Diana takes us through the story of her life.
The Deal(en)
Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.
Vive La France(en)
Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
Overgang/Menopause(nl)
Rosemarie Blank made this film, which focuses on women aged around fifty, in collaboration with the organisation VIDO (Dutch: Vrouwen in de Overgang/Women in the Menopause). An all but invisible group of housewives who have spent their lives putting themselves last to ensure that their husbands and children can reach their full potential.
Die Ehe(de)
Marriage and sexuality is examined through the lens of screenwriter Dr. van de Velde, a Dutch gynocologist.
Illegal Love(en)
In 2008 French filmmaker Julie Gali traveled to the US to film the election of Barack Obama. In spite of this victory for civil rights, it soon became apparent that the rights of another minority were under threat. In California the passing of Proposition 8 marked the only time in U.S. history that a civil right was actually taken away after it had been granted. Upon seeing this, Ms. Gali decided to immerse herself in the growing grassroots struggle of the gay community, which culminated in the October 11, 2009 March for Equality in Washington DC.
The Truth About Marriage(en)
This documentary follows three couples to see how things turned out several years after their weddings. The film presents challenging ideas about relationships, as it answers the question: Why is marriage so difficult?
Knots: A Forced Marriage Story(en)
Forced and child marriage is happening all across the U.S., legally. Three survivors - Nina, Sara, and Fraidy - take us on a journey into the depths of this human rights abuse hiding in plain sight.
A Family Wedding in Felixstowe(xx)
Having an architect for a father came in handy on Beris Wrinch's wedding day. A special bridge was designed so the wedding party could reach the marquee in style.
My Life Directed by Nicolas Winding Refn(en)
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
Encontro das Águas(pt)
This short film follows the journey of Rosane Pires and Iara Viana, during the preparations for their wedding, as well as the civil and religious ceremonies.
#Familiar #Touch #Lost #Figures(en)
Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.
Indictment: The Crimes of Shelly Chartier(en)
Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.
Pansy and Ivy(ko)
Soo-jung and Yun-jung are sisters in their 20s and 30s, both physically challenged since birth. Like other women, romance, sex, marriage, and having children are concerns in their lives. The filmmaker records their social life with a close but unpatronizing gaze, as they fall in love, break up, study porn videos, and dream about having their own children. Conventional Korean values die hard, as we see from the voices of the people around them, while the sisters themselves never cease to smile, to sing, and to try to enjoy life despite the odds.