0.0This documentary depicts the life inside the walls of the Louisiana State Penitentiary at Angola. See what life is like inside Angola, a self-sustaining agricultural community that boasts five new churches and its own inmate-run TV and radio station.
5.3SERVING LIFE documents an extraordinary hospice program where hardened criminals care for dying fellow inmates. Narrated and executive produced by Academy Award®-winner Forest Whitaker, the film takes viewers inside Louisiana's maximum security prison at Angola, where the average sentence is more than 90 years.
1.0Angola Do You Hear Us? Voices from a Plantation Prison tells the story of playwright Liza Jessie Peterson's 2020 performance of her acclaimed play The Peculiar Patriot at Angola, the Louisiana State Penitentiary, America’s largest prison.
7.2Documentary depicting day to day life in Angola Prison mostly from an inmate's perspective. Interviews are with several inmates including one with a life sentence who is about to die.
7.0The Wildest Show in the South: The Angola Prison Rodeo is a 1999 American short documentary film directed by Simeon Soffer. It focuses primarily on the inmates experiences in the rodeo. For a lot of those prisoners, the rodeo seems to be the only thing they have to look forward to. It was nominated for an Academy Award for Best Documentary Short.
Known for years as one of the most dangerous maximum-security prisons, Louisiana State Penitentiary at Angola is the setting for one of the most moving concerts ever given by The Brooklyn Tabernacle Singers. Recorded live, this new DVD features a magnificent, full concert PLUS a powerful docu-video complete with inmate interviews and testimonies focusing on the amazing spiritual revival that is occurring within the prison.
0.0In 1995, Jerry Brown, 18, was sentenced to life without parole for murder at Angola (Louisiana), America's most infamous maximum-security prison. He is now the star of the Angola Prison Rodeo. Each Sunday in October, inmates battle bulls without training for a few seconds of fame and some money. For Angola's warden, the proceeds of the rodeo fund the religious education of his inmates. "Razor Wire Rodeo" tells the unflinching story of lives defined by violence and crushed by the pitiless corrections practices in Louisiana. Jerry Brown believes his fame will help him to get out of Angola. But in a state, that hardly ever grants clemencies, his battle against the bull is symbolic of a fight for freedom lost a long time ago.
Three black man collectively have wrongly served 100 years in solitary confinement.
What have a young English girl and a Black Panther convicted of murder got to say to each other?
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
0.0Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.
6.0A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.
0.0A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
5.0The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.