Filhos de Macuinaíma

Ex-Shaman(pt)

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Cree Way(en)

This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.

Carropasajero(es)

The sound of metal creaking as if something is about to break. An old pickup truck adapted to carry passengers crosses the La Guajira desert in Colombia. With the wind come voices that merge among the passengers who travel there. A Wayuu woman returns to her territory, accompanied by her family, after years of exile due to a paramilitary massacre. A cyclical journey where the time layers of the territory touch and the border between the living and the dead is diluted.

Cree Code Talker(en)

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

Children of Wind River(en)

A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.

The Crying Fields(en)

A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.

Ni Wapiten(cr)

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

¡Ya Basta! 30 Years of Zapatista Autonomy(en)

In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?

Elsipogtog: No Fracking Way!(en)

October 2013 the Royal Canadian Mounted Police descended on a peaceful anti-fracking protest led by the Mi'kmaq of Elsipogtog and their allies. In this film the voices of some of the people involved in the anti-fracking movement talk about what happened and why they took the stand against hydraulic fracturing and how the heavy handed police response has affected their people.

Natsik Hunting(en)

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

Taking Alcatraz(en)

A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

A Pinto for the Prince(en)

In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.

The Four Corners: A National Sacrifice Area?(en)

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

My Grandmother’s Tipi(xx)

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Vistas: Red Ochre(en)

Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

How Do You See Me?(pt)

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Benzeduras(pt)

Que Esse Grito Não Seja em Vão!(pt)