Léa
Marc
Isolated on a remote property, 16-year-old Claudia finds her world transformed when a spirited girl named Grace wanders into her garden.
Sissi and Victoria are sisters. Whereas the younger is slowly emerging from the world of childhood, the elder tries in vain to be a grown up. In the room they share, Sissi is preparing for her gymnastic competition and Victoria has boys coming and going.
Over a magical night where the sun suddenly does not set, we follow Sune, who is trying to find head and tail in the unpleasant rumors that go around about his best friend Casper.
A fence is built between Denmark and Germany to separate wild boars from domestic farm pigs, to avoid the spreading of a deadly swine virus. Ebba wakes, just an arm length away from her girlfriend Jona, the reminiscence of her dream about separation and a longing for unity takes its toll on them.
A debate arises between Jesus Christ and a beautiful nun about her nightlife and whether the scriptures address any punishment for her sins.
A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don't share a language, they grow close through their grief.
The amazing wartime saga of a young American GI who travels to Budapest to find his former companion, a French soldier who told him of the spectacular bathhouses he visited there. The GI explores the fraternal joy of these Turkish baths and loses himself in passion - only to discover his real sexual self!
Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.
Three boys experience self discovery at a skate park. [Made by director Hugo Esposti in his second year at Bournemouth University on the BA Hons Film course.]
A 15 year old boy remembers his friend after he was killed because of the colour of his skin. A short film set in the 1980s in the UK.
Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.
Johnny is an alcoholic, Johnny is fatalistic, Johnny is tormented, Johnny isn’t able to behave, Johnny is impetuous, Johnny is moody, Johnny believes in nothing, Johnny is footloose, Johnny isn’t brave. But Aurélien doesn’t care because first and foremost Johnny is radiant.
Su-mi is ridiculed for writing fantasy epic dramas in scenario class. Eui-gun shoots alone after the actor and staff run away. Su-mi suddenly helps Eui-gun.
A prominent lesbian couple adopts a child who gets diagnosed with a genetic predisposition for violence, and they must contend with their hard-lined stance on acceptance while attempting to raise the perfect family in the spotlight.
Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.
Cris discovers that his five years relationships is about to end when his live-in boyfriend Michael leaves him supposedly for an out of the country business trip. He then embarks on a long journey to catch his lover and the third party, passing by his boyfriend's maternal home, his boyfriend's best friend, his own best friend and a mysterious acquaintance. Will Cris catch his boyfriend and will he be able to prevent their relationship from its inevitable ending? Not until someone dies so another can move on. Hinala is not only about fidelity but more about that long journey we take when a relationship bitterly ends and we are broken. How many times must we die so we can be free from the baggage?