Stanley Gaunt
Lanky Parsons
The career of the once successful classical portraitist, Kingdom Swann, has hit bad times. When a leading gallery rejects his work, he seems at the point of giving up. It is only the support of his housekeeper, Violet Askey, that keeps him going and it is she who encourages him to switch to photography. Soon Swann has developed a healthy (and respectable) business with portraits of naked women in classical and exotic settings. However, the nature of Swann's new work is open to misinterpretation and he finds himself at the centre of a scandal involving the misuse of his pictures by a SOHO pornographer, and the focus of a campaign by suffragettes against the expoitation of women. At the same time, he loses the support of the loyal Violet, who leaps to the wrong conclusion about Swann's relationship with one of his models. When Violet then becomes involved in the suffragette and amti-pornography movements, it seems all may be lost for Swann - both professionally...and personally.
2001-01-01
5
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
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Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.
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Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
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Promotional video celebrating 20 years of the Naruto animation project.
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