El origen de las utopías

Mi vida entre las hormigas(es)

Documental film about Jorge Martínez, leader of the spanish rock band Ilegales.

HAIM: Behind the Album(en)

An in-depth tour of the band’s sophomore album with a thrilling live performance, interviews and backstage footage.

Duran Duran: Unstaged(en)

Duran Duran: Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.

Korn: Live At Montreux 2004(en)

Korn came out of California in the early nineties and went on to become one of the most globally successful metal acts of their generation. They continue to play live to vast crowds and have record sales in the millions. This concert from Montreux in 2004 is their only performance at the festival to date.

As the Lights Go Down(en)

Duran Duran's Oakland, California concerts that were filmed for the Arena (An Absurd Notion) movie were also edited to form the one-hour As The Lights Go Down concert video. As The Lights Go Down is essentially the Arena video without the theatrical sequences, although the live footage for many songs was edited differently. This version was first aired on the Cinemax cable television channel, and later on MTV and other music channels.

Toto - Greatest Hits Live... And More(en)

Greatest Hits Live ... And More: Total Live Concert Le Zenith, Paris October 1990.Tracklisting: 1. Intro (Child's Anthem) 2. Africa 3. Georgy Porgy 4. I'll Be Over You 5. David Paich Solo Spot 6. I Won't Hold You Back 7. Little Wing (Tribute to Jimi Hendrix) 8. Without Your Love 9. English Eyes 10. Rosanna 11. Afraid Of Love 12. Hold The Line

Cradle Of Filth: PanDaemonAeon(en)

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

Instrument(en)

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Document: A Film About Malojian(en)

Featuring legendary recording engineer Steve Albini, 'Document: A film about Malojian' captures the energy of a band at the top of their game, as they rush to complete their third album, "This is Nowhere", in just four days.

Lost Records(pt)

A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.

L7: Pretend We're Dead(en)

A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.

Imagine: John Lennon(en)

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

Rude Boy(en)

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

ABEPSS 70 anos(pt)

Les Enfants de la Bonne Mère : Rue d'Aubagne(fr)

Schuld en boete(nl)

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

That Day in a Week(sl)

A documentary about the Slovenian rock band Big Foot Mama.

Depeche Mode: 1989–90 “If You Wanna Use Guitars, Use Guitars…”(en)

"If You Wanna Use Guitars, Use Guitars…" - A 32-minute short film, entitled Depeche Mode 1989–90 (If You Wanna Use Guitars, Use Guitars), featured interviews with the band, Daniel Miller, Flood, François Kevorkian (who mixed the album), Anton Corbijn (who directed the music videos and did the album's photography/cover), and others. It also includes news footage from the infamous "riot" in Los Angeles, which gave the band media publicity the day before Violator came out.

Buena Vista Social Club(en)

In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.

Metallica: Some Kind of Monster(en)

After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.