Sie selbst
Er selbst
Sie selbst
Er selbst
Er selbst
2015-02-12
0
Documentary focusing on the thrash metal band Kreator but also exploring the economic and social situation of Essen at the time.
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Berlin’s Museum Island, the cultural center of the German capital on the Spree river, houses a large number of art pieces from all over the globe, from the Stone Age to the present day. A walk through their great institutions to marvel at their masterpieces.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
In 2019, Union Berlin was promoted to the Bundesliga. Four years later, the traditional East German club qualifies for the Champions League and achieves something that few would have thought possible. Despite all the euphoria over the triumph, the pressure to remain strong in sporting and economic terms also increased, as did the fear of falling into a conflict of identity between tradition and change. The fact that the soccer underdog from Köpenick still manages to retain its magic is primarily down to the people who work behind the scenes to keep things running smoothly and enthusiastically. Always at their side: a loyal fan base that is prepared to follow their club's path unconditionally. Hendel follows the team behind Union for almost two years, right up to their entry into the top flight, and takes a unique, particularly personal and authentic look behind the scenes of the club.
Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Climate justice! OHNE KEROSIN NACH BERLIN is a campaign by the Students for Future, which is part of the Fridays for Future movement. In 2020, 60 people loudly carried the climate protest by bicycle from Cologne to Berlin. This film emerged from the movement and shows the activists' experiences up close.
Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
The documentary BERLINIZED describes this very Berlin-specific attitude in a reflection on and a journey to mid-1990s' Berlin. Filmmaker Lucian Busse, an active protagonist of the period, documents the transformation of Berlin after the Wall. But Berlinized represents more than just the 1990s - it is a metaphor for this virally catching creative feeling, the slightly rough directness, spiced up with a big dash of typical Berlin humor. Berlinized lets the former protagonists reflect how that temporary feeling of freedom shaped their individual lives, and to what degree that freedom can still be found among the neat order of today's Berlin. These reflections are as diverse as the interviewees and as multifaceted as the changes in those times.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.