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Saving Warru
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Chemerical(en)
'Chemerical' explores the life cycle of everyday household cleaners and hygiene products to prove that, thanks to our clean obsession, we are drowning in a sea of toxicity. An average North American family try to turn a new leaf by creating and living in a toxic free home. Chemerical tackles the 'toxic debate' in a truly informative and entertaining way, not only by raising awareness, but more importantly, by providing simple solutions. Sparking awareness through an interesting and inspiring dialogue of an issue that affects the lives of everyone, Chemerical will seek to catalyze a change in behavior. Focusing on the lives and foibles of a family that subsists on a chemical dependent lifestyle, and bit-by-bit revealing its impact and scope on their own well-being and that of their fellow humans, the film will relate and share their story as a basis for connecting the dots between our consumer choices and community concerns.
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Bill Reid(en)
Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.
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10 Billion: What's On Your Plate(de)
How can we best meet every earth citizens need for healthy food facing our limited resources? Regarding the almost 10 billion humans living on earth by 2050, we have to decide now how we want to shape the future of agriculture.
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Schooling the World: The White Man's Last Burden(en)
If you wanted to change an ancient culture in a generation, how would you do it? You would change the way it educates its children. The U.S. Government knew this in the 19th century when it forced Native American children into government boarding schools. Today, volunteers build schools in traditional societies around the world, convinced that school is the only way to a 'better' life for indigenous children. But is this true? What really happens when we replace a traditional culture's way of learning and understanding the world with our own? SCHOOLING THE WORLD takes a challenging, sometimes funny, ultimately deeply disturbing look at the effects of modern education on the world's last sustainable indigenous cultures.
ARCTIC DEATH SPIRAL & THE METHANE TIME BOMB(en)
This movie was created to highlight the overwhelming amount of scientific information pointing to human extinction in the very near future.
There's No Tomorrow(en)
There's No Tomorrow is a half-hour animated documentary about resource depletion, energy and the impossibility of infinite growth on a finite planet.
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Wild Art: Olly & Suzi(en)
Documentary following Olly Williams and Suzi Winstanley, two unique wildlife artists who simultaneously work on the same painting of exotic and endangered animals while on location in the wildest corners of the world. The film shows how they work and why what they do is so important.
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Pete the Pond(en)
Pete the Pond has spent the last 20 years trying to return Britain's aquatic wildlife to its former glory. Despite his best efforts, the abundance of creatures he remembers from his childhood are quickly disappearing. As he sets out to build yet another wildlife pond in a British garden, a letter from his local council threatens to destroy his life's work.
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Lasseter's Bones(en)
Australia’s El Dorado was found by Lewis Harold Bell Lasseter – if we believe his claims in the late 1800s to have discovered a vast gold deposit in central Australia. This mysterious place has never again been found, and many believe it doesn’t exist. But one thing is certain: Lasseter was a larger-than-life character. Seen by some as an eccentric conman, he was ridiculed for his extravagant assertions, which he held until his tragic end. But Lasseter remains the embodiment of the Australian folk hero, who lived a life full of incredible adventures, tall tales and outrageous claims – including a possible faked death and his insistence that he designed the Sydney Harbour Bridge.
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My Name Is Kahentiiosta(en)
This documentary short by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her indigenous name.
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Eating Animals(en)
An examination of our dietary choices and the food we put in our bodies.
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The Other Side of the Ledger: An Indian View of the Hudson's Bay Company(en)
The Hudson's Bay Company's 300th anniversary celebration was no occasion for joy among the people whose lives were tied to the trading stores. This film, narrated by George Manuel, president of the National Indian Brotherhood, presents the view of spokesmen for Canadian Indian and Métis groups. There is a sharp contrast between the official celebrations, with Queen Elizabeth II among the guests, and what Indians have to say about their lot in the Company's operations.
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Aspen, 1970(en)
A compilation of conferences/debates between renowned designers, environmental activists, and students on the concept of design. Held in Aspen, Colorado, USA.
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Le pari(fr)
During a long conversation between two friends, a bet is made. To direct a wildlife documentary, in the french mountains, in only one year, about rare and threatened birds.
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Totem: Return and Renewal(en)
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
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Last Stop Larrimah: Murder Down Under(en)
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled.
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The Paradox of Norval Morrisseau(en)
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.