Kafana (Enough, already!)
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Kafana (Enough, Already!) - Official Trailer - Trailer
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The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
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A Sahrawi story(it)
It describes the way of life of the Sahara people in the Western Sahara Desert, in particular it tells the story of a child bitten by a snake.
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The Sahara has been and is populated by peoples who have passed through and occupied it since time immemorial. The Sahrawis are one of these peoples. When Spain withdrew from its colony in 1976, Morocco invaded. Thousands have had to leave their lands to seek refuge in camps in the Sahara, in neighboring Algeria, and thousands have had to migrate to Spain and other destinations outside the Sahara. And it is the women who built the camps while the men fought, and it is they who have increasingly gained social, cultural, and political influence in the territory and in the diaspora. This is their history and their reality.
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The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.
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Lost land(fr)
Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
My Sahrawi family(es)
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Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.
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A Crew of Mexican filmmakers decide to cross the world to go in search of a nomad who would guide them in the sea of sand, to find the cave of the djina (a devil) but on the way they find an exiled country, that asks for help them to spread there existence and find a way to prevent that the organizations of United Nations and NGOS do not forget them. It is a history full of magic and feeling, wrapped in the colouring landscapes of the great desert of the Sahara. Among the liberated territories there are 10 million mines, temperatures of up to 60 ° c and little food to testify the wealths of a great people there culture, traditions, tragedy and there similarities with the rest of us.
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In the middle of Western Sahara desert, where no water, no trees, no animals live but a bunch of refugees, struggling in poverty to survive the harsh habitat, the least of the problem one might face is the environmental crisis.
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