Launch of the Worthing Lifeboat Emerging from the Boathouse
HomePage
Overview
"The Worthing Station is some distance from the shore, and whenever there is a wreck the life-boat is dragged to the scene on a huge truck drawn by eight horses. Our picture shows the life-boat responding to an alarm. The horses start out from the station at a gallop, and the members of the crew run beside the boat. This negative is unusually fine photographically."
Release Date
1898-04-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
No LanguageKeywords
Similar Movies
World War Chimp | The Brutal 1974 - 1978 Gombe Chimpanzee War: Documentary(en)
When chimps go to war...
Inside Look: Feud - Bette and Joan(en)
An inside look at the making of Feud: Bette and Joan.
Smoke Signals(en)
"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.
Afraid Doesn’t Exist(de)
Anna Zett collages mostly unreleased footage from the Berlin Archive of the GDR-Opposition into a pulsating short film thriller. The film opens up an associative realm which allows for the re-evaluation of experiences of violence hard to access today.
Who Are We?(en)
On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
Dark Matter(en)
World-renowned snowboarders Travis Rice and Elias Elhardt team up with legendary director Curt Morgan for a celebration of space and time filmed in the deep backcountry of Alaska, exclusively on location at Tordrillo Mountain Lodge.
Monica in the South Seas(fi)
Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
Nanook of the North(en)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sexual Happiness(zh)
Sex is a taboo topic in China, even though China is a large importer of the Japanese Adult Video (AV) industry. What happens when a Japanese adult video star such as Yui Hatano comes to China? This film shows the China's sexual liberation in a comedic way.
The Irishman: In Conversation(en)
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
Born at Home(en)
The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.
Cats, Birds and Fishes(en)
Some champion exhibits from the National Cat Club Show and the Combined Bird and Aquaria Show, described by W. Cox-Ife, F. Hopkins, and L.C. Mandeville.
Odd One Out(en)
'Odd One Out' is a 15 minute, short coming of age documentary, about the Head Designer & Co-owner of the OSCAR & BAFTA winning prosthetics, animatronics and creature design company, Odd Studios. In a sit down interview, Adam deep dives into his pathway to success. Stories from 'Farscape', the opening of Fox studios, to the stark reality of leading the mould shop in prosthetics at the age of 20, and the lessons he learnt along the way whilst creating his dream career. Taking inspiration from supernatural, sci-fi 90s classic films and monsters through the mind of a 10 year old in 1985, guided by the words of his 43 year old self in 2023. We explore how an 'odd one out' kid, feeling the pressure and disregard of society can become a pioneer for prosthetics and animatronics across Australia and Hollywood.
We Will Meet in 1972 – In Dark and in Light(hu)
A television documentary about miners: the reality of their work versus how it is made to look and sound in the public sphere.
Grand Canyon Film Show(en)
In 1902, Emery and Ellsworth Kolb opened a studio in the Grand Canyon and began making photographs of mule parties, landscapes, river adventures, and nearly every other dramatic scene and incident that occurred in the area. They also successfully navigated the Green and Colorado Rivers in 1911, filming their journey. This film ran in the Kolb Studio in the Grand Canyon from 1915 until Emery's death in 1976.