The Emoji Story

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How To Go Viral
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How To Go Viral(en)

2019-01-01

Richard Clay, art historian and expert on semiotics and iconoclasm and the interplay between new technology and shifts in meaning, compares and contrasts cultural symbols from across the centuries, unpicking iconic images, music, and other cultural outputs to explain where ‘stickiness’ comes from.

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A woman gets progressively stressed out from her daily routine.

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When a couple meet illegally for a booty call during lockdown, they end up getting more than they bargained for.

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From Ceará to Bahia, passing through Rio Grande do Norte, Paraíba and Pernambuco (and with the counterpoint of the Northeastern diaspora in São Paulo and Rio de Janeiro), the documentary seeks to survey the contemporary Northeastern imaginary: a mixture of the most rich or archaic regional traditions with influences from the more modern mass culture of the era of globalization.

The Endless Summer
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The Endless Summer(en)

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Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Land Without Bread
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Land Without Bread(es)

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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Megacities
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Megacities(en)

1998-08-12

Megacities is a documentary about the slums of five different metropolitan cities.

No Dance
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No Dance(en)

1985-11-04

An experimental documentary on dancing and its part in subcultures from punk to electro.

Railway Station
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Railway Station(pl)

1980-01-01

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Gimme Shelter
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Gimme Shelter(en)

1970-12-13

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary
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Primary(en)

1960-11-08

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Dont Look Back
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Dont Look Back(en)

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Hypnosis
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Hypnosis(pt)

2001-06-02

7’30” | DV | Colour | 2001 | Brazil Screening Format: DV Filming Format: Super 8 Original Soundtrack: O Grivo Directed, Photographed and Edited by: Cao Guimarães The illusion of an hypnosis emerges from the serenity of a geometrical succession of forms. In this geometrical 'mini-drama' the pathos is created by colors in movement and the languorous and repetitive beat of a piano.

Who Will Teach Me the Half of the Character
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Who Will Teach Me the Half of the Character(cs)

2006-05-16

Follows the footsteps of former Czechoslovak – Vietnamese cooperation and seeks to sum up its importance, regardless of its close political aspects, for lives of few particular Vietnamese citizens and also to report on contemporary Vietnam through experience of local people, who surprisingly aren’t separated from Czech by language barrier.

The Rite of Spring
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The Rite of Spring(cs)

2002-12-01

This film came into being on a farm in the village of Hakushu, Min Tanaka's home. Min Tanaka is a very distinctive personality of Japanese alternative theatre in which the mind questions the tongue and so the body becomes the tongue. Min Tanaka's dance is able to speak even to those who know nothing about Japan and Japanese art. Perhaps it is because, on their road to discovery, Min and his dancers probe deep down to the roots of the culture of all peoples, to the time when we were not yet Europeans and they were not Japanese.

Tell Me Something About Yourself - Pavlína
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Tell Me Something About Yourself - Pavlína(cs)

1992-01-01

Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.

Tell Me Something About Yourself - René
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Tell Me Something About Yourself - René(cs)

1992-01-01

René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.

Tell Me Something About Yourself - Láda
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Tell Me Something About Yourself - Láda(cs)

1994-01-01

Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.

Tell Me Something About Yourself - Martin
0%

Tell Me Something About Yourself - Martin(cs)

1994-01-01

"The whole film talks about the time when I was first locked up, from sixteen till now, I’m 22 now, and during that whole time I was out maybe five months, and I’ve really had it by now. It’s also about why I’d given my life to Jesus Christ and then failed that Jesus in me because I was tempted by earthly pleasures; and it’s also about how every time I’m ready to start a new life, I get locked up again because it’s always too late. It’s just too late. That’s the greatest shame and that’s what it’s about..."

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