Hermann Polt
Rosita
Täm
1940-11-29
0
Ausreißer [The Runaway] is a 2004 German short film directed by Ulrike Grote, with Peter Jordan and Maximilian Werner. It follows Walter, an unemployed architect, who is getting ready to go for an interview. But just as he is about to leave his flat, an eight-year-old boy, Yuri, approaches him at the door, claiming to be his son. The film was nominated for an Oscar for Best Live Action Short Film.
Pierre is in Hamburg on a merchant ship with his friends Georges and Jean-Marie. While they are just looking for a good time in the twenty-four hours they have to waste in the city, Pierre is seized by the memory of a young German girl, Maria, whom he had known and probably loved when he was a prisoner of war in the bombed-out port of Hamburg. He abandons his companions in search of her, but is unable to trace her, her house having been destroyed and the search services having no record of her.
It all starts with a bang. The car breaks through the crash barrier and falls off the bridge. The lights go out. After that, he is not able to see anymore. His optic nerve is severed, from now on the young stage-director Jakob is blind. His life will change and nothing will ever be the same. Jakob cannot handle the idea of never being able to see again and screams at the only woman who is able and willing to help him, Lily. A rehabilitation teacher, she helps the blind deal with the darkness. Lily has been living with it since birth, she too is blind.
This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world's richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.
Winodia is kicked out from her mother's house. She goes to stay at her friend's house. While there, she unexpectedly sees her boyfriend from Haiti.
Chronicles the early days of The Beatles in Hamburg, Germany. The film focuses primarily on the relationship between Stuart Sutcliffe, John Lennon, and Sutcliffe's girlfriend Astrid Kirchherr.
In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German widower who lives with them.
Sébastien owns a book shop and has literary ambitions of his own. He befriends Joseph, an established novelist whose work he admires. But when Joseph is killed on his doorstep, Sébastien discovers a mysterious manuscript left behind. Sasha, Sébastien’s only child, witnesses Joseph’s death, and the effects run deep. She finds herself drawn to the author’s son Sidney, and starts a relationship with him. As the two grow closer, she discovers that her father is hiding something. Sidney, feeling betrayed by Sasha, threatens to expose Sébastien to get justice for his father’s memory. But his relentless pursuit for the truth leads him to uncover a tragic family secret from which he was protected… until now.
A terrorist drives a car to Hamburg's Rathausmarkt and unloads an unknown device that he claims can cause radioactive contamination. A special unit tries to subdue the man, but this reveals that the only way to prevent the explosion is to constantly readjust a transmitter, so they have to let him go.
After the death of her husband, Sarah gets caught up in the wheels of the "most sinful mile in the world," Hamburg's Kiez. In this ruthless machinery that produces nothing but violence, money and lust, the sensitive Sarah tries to adapt emotionlessly. It is a long and hard process of acclimation, but eventually the business of love becomes a profession for Sarah. The power of money holds her captive. And the more she succeeds in increasing her value in the milieu, the more she distances herself from her past bourgeois world - along with her concepts of love, decency and morality. An affair almost becomes her undoing. Sarah flees deeper into the labyrinth - onto the path of venal masochism. She becomes a whip-wielding dominatrix in the notorious Herbertstraße. Now the others are the victims, but Sarah almost loses her mind...
Numa Perrier reimagines the story and moments in a distinct photograph of her mother. What results is a complex merging of memory, absence, and imagery set against the backdrop of Port Au Prince, Haiti.
The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.
Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.
Angels of the Street or The Angel of St. Pauli is a 1969 West German crime film directed by Jürgen Roland and starring Horst Frank, Herbert Fux and Werner Pochath. It is set in the St. Pauli red light district of the port of Hamburg.
A former U-boat commander becomes a pastor to ease the suffering of young Hamburg women in trouble.
A story of three female tourists who visit Haiti, in order to enjoy the sexual nature of the young men.