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The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft
The production itself is quite beautiful: recorded in the Basilica di San Marco in Venice in November 2007, it highlights the cathedral's splendor, the reverent audience, the soloists, orchestra and chorus with near-perfect cinematography. The soundtrack is also acceptable, which may have been quite a task to achieve, given the Basilica's over-reverberant acoustics. Alas, the performance itself does not rise to the occasion. Despite the occasional minor insecurity in ensemble and a visible lack of joy, the Symphonica Toscanini musicians play well, the Coro del Maggio Musicale Fiorentino members sing equally well, and the soloists are more than adequate, almost tangibly trying to excel.
For Mahlerites, his symphonies are much more than musical performances--they can be an emotional or spiritual journey through the struggles, fears, and triumphs of life. This Sixth Symphony is a 1976 performance in the Vienna Musikvereinssaal with PCM stereo and DTS 5.1. The 2 dvd set also includes the 4th and 5th symphonies, which are performed as magnificently as the Sixth.
Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.
Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)
Chopin Year 2010 coincides with the 60th anniversary of Daniel Barenboims stage début, and as a pianist he has decided to devote this year to the great Romantic master of the keyboard. Fryderyc Chopin was born on 1 March 1810 in a small village near Warsaw, and on the eve of the 200th anniversary of this date Barenboim gave this wildly acclaimed Warsaw recital as part of an extensive European tour. Recorded live at the National Philharmonic Hall, Warsaw, the programme presents some of the composers best-known works, including the great B flat minor Sonata with its famous Funeral March, which sounded to many as the composer may well have imagined it. Ive been playing Chopin ever since I was a little boy. On the advice of my father, who was also my teacher, I performed some of his pieces in my very first concert, when I was just seven. At that point I was playing the Etudes and the Nocturnes obviously I didnt try and tackle the larger scale Sonatas or the Fantasy until later.
In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.
There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.
Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.
Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.
Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.
Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer/listener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.
Famed conductor Herbert Von Karajan leads the Berlin Philharmonic in a performance of what may be Vivaldi's best-known composition -- "The Four Seasons" -- in this sparkling video. Recorded in 1987 at the Chamber Music Hall, this concert features Anne-Sophie Mutter as a guest violin soloist.
For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.
Utopia, the new orchestra of conductor Teodor Currentzis, can be experienced for the first time in Vienna on its inaugural tour with the 1945 version of Igor Stravinsky’s ‘The Firebird’ and Maurice Ravel’s Suite No. 2 of ‘Daphnis et Chloé’, ‘La Valse’ and ‘Boléro’.
Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92
The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!
Statesman and poet Shri Atal Bihari Vajpayee's eloquence and vision shaped India's destiny. A look at his remarkable life as he led his country through a challenging period of change and development as the 10th Prime Minister of India.
Ugo Fantozzi was resurrected from the company where he worked because of a crisis, how it will end?Tenth and final chapter of the film series of Fantozzi character.
The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.
A Russian circus visits the US. A clown wants to defect, but doesn't have the nerve. His saxophone playing friend however comes to the decision to defect in the middle of Bloomingdales. He is befriended by the black security guard and falls in love with the Italian immigrant from behind the perfume counter. We follow his life as he works his way through the American dream and tries to find work as a musician.
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
A young witch visits her cousin in a small town during a heated mayoral election race. Her kind-hearted cousin, the town’s beloved “good witch” and newlywed with two teenage step-kids, is running for office, but must keep her family from falling apart when their visitor uses her magic to put them—and the whole town—under her bitter spell.
After a hard day at work and a condominium-board meeting, accountant Ugo Fantozzi goes on a trip with his family. Unfortunately, he will face a nasty surprise upon his return.
Ricky is released from a mental hospital, taking with him the memory of his brother Billy's death and embarking on a journey of relentless revenge.
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
Naruto: The Cross Roads (Za Kurosurozu) is the sixth Naruto OVA. It uses the same CGI graphics as Naruto: Ultimate Ninja Storm and was released during Naruto: Shippuden. This OVA premiered at the Jump Festa Anime Tour 2009. Between the Prologue - Land of Waves and Chunin Exams arcs, Team 7 is waiting for Kakashi, who is late again, to start a new mission (B-ranked as Sasuke states). The team sets off while Kakashi explains that Genmai from the Inaho Village is missing, who has vanished in the hills.
A mysterious female spy is recruited to infiltrate the Japanese underworld and gather evidence for a clandestine secretive branch of the Tokyo Police Department.
One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live
Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.
When a woman is found dead with her throat torn out, the local villagers blame a supernatural monster. But Sherlock Holmes, who gets drawn into the case from nearby Quebec, suspects a human murderer.
Dive in to hilarity when SpongeBob learns about the Vikings - right from the source, Squidward is banned from his lodge, SpongeBob and Patrick fill in for their heroes at an event, Captain Redbeard gets a surprise from his grandson, Mr. Krabs, and more!
Craig and his cousin Day Day have finally moved out of their parents' houses and into their own crib, working nights at a local mall as security guards. When their house is robbed on Christmas Eve they set out to track down the culprit.
Andrea, a nice girl, move from Veneto (north of Italy) to Roma. She is employed as a nurse in a medical practice. She soon is involved in a never-ending game of misunderstanding, couples exchange, sexual seductions.
The rude, lewd and crude Spanish ex-police officer Torrente finds himself facing jail time. Can he survive a twisted irony that places him where he has put so many others, both guilty and innocent?
Bumbling lieutenant Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.