Talking About Trees
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Self - Filmmaker
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Dark Glamour: The Blood and Guts of Hammer Productions(fr)
The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.
Keiko Kishi, Eternally Rebellious(fr)
Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.
You Must Remember This: The Warner Bros. Story(en)
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
At the Coliseum Deluxe(en)
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The Forbidden Reel(en)
According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
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Zombies in the Sugar Cane Field: The Documentary(es)
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
End of the Commune?(de)
A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.
Counter Shot: Departure of the Filmmakers(de)
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Altman(en)
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Bearing Witness Native American Voices in Hollywood(en)
For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.
The Rebellious Olivia de Havilland(fr)
The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.
Cartoons Go To War(en)
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
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What Jennifer Did(en)
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Selfie(it)
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Orchids: My Intersex Adventure(en)
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Tammy and the T-Rex(en)
An evil scientist implants the brain of a murdered high school student into an animatronic Tyrannosaurus, who later wreaks vengeance on the bullies who killed him, and is reunited with his sweetheart.
Don't Blink - Robert Frank(en)
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Searching Eva(de)
This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.
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Charley Thompson, a teenager living with his single father, gets a summer job working for horse trainer Del Montgomery. Bonding with an aging racehorse named Lean on Pete, Charley is horrified to learn he is bound for slaughter, and so he steals the horse, and the duo embark on an odyssey across the new American frontier.
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The Surfer(en)
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We Need to Talk(it)
A woman in common, a daughter in half and a patrol car for two. Antonio and Pieraldo share many things: a less-than-brilliant career, a less-than-ideal partnership, a long-term but slightly bruised bond -- two lives apparently too quiet for two police officers that fate has cleverly wanted to intertwine. Danger was definitely not their profession... until, incredibly, they will have to face a real crime, a very intricate and risky case that, between challenges against time and twists, will change their lives forever.
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The Front Line(ko)
In 1951 ceasefire is declared, but two remaining armies fought their final battle on the front line Towards the end of the Korean War, a South Korean battalion is fiercely battling over a hill on the front line border against the North in order to capture a strategic point that would determine the new border between two nations. The ownership of this small patch of land would swap multiple times each day. Kang is dispatched to the front line in order to investigate the tacit case that’s been happening there.