Small Mover
Large Mover
Third release in 'The Smith Family' series of 2-reel comedies. Omar the dog, usually the most sedate member of the Smith family, has a starring role in this episode, digging up the garden and stealing the landlord's hat.
1926-09-19
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A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,
Carter DeHaven announces that he will perform a series of "impressions." For each we see him applying makeup and changing the combing of his hair or putting on a wig. When he tilts his head down during each supposed makeover, up pops the actual celebrity (Keaton, Lloyd, Arbuckle, Valentino, Fairbanks, Coogan) he appears to have been making himself up as.
A high board fence is shown covered with theatrical posters. The one in the center shows the head and shoulders of a pretty girl. An old farmer and his wife are strolling along, the old gentleman being a little ahead. He looks at the picture of the girl and fancies he sees the eyes winking at him. He puts on his glasses to make sure that he is not dreaming, when the girl leans forward with an expression as if inviting him to have a kiss. (Biograph Catalog)
To impress the girl he loves, a naive country boy tries to capture a group of local bootleggers.
An exasperated traffic cop resigns after failing to control speeding drivers.
A man and his wife try to enjoy a picnic, but strange and surreal happenings prevent them from doing so.
The first appearance of Felix the Cat (as Master Tom). Tom falls in love with a lady cat, and while they're out courting at night, the mice ransack the kitchen.
A wealthy bachelor lies his way out of a speeding ticket by telling the cops he's on his way to visit his baby girl in hospital - ever helpful, they accompany him whereupon a little girl attaches herself to him, with hilarious results.
An "Out of the Inkwell" short featuring Ko-Ko the Clown, this time as a fireman.
Had the poor melancholy Dane, Hamlet, lived in this, the twentieth century, he would never have given voice to the remark, "Oh, that this too, too solid flesh would melt, thaw and resolve itself into a dew!" No indeed! He would have procured some of the mysterious fluid compounded by an erudite scientist by which things animate and inanimate were rendered non est, for ten minutes at least, by simply spraying them with it. In an atomizer, he sends a quantity, accompanied by a letter, to his brother. In the hope of his putting it on the market. The brother regards it as a joke, and, while toying with the atomizer, accidentally sprays himself. Presto! he is gone, to the amazement of the messenger boy who has carried the package thither. The boy reads the letter, and at once sees the amount of fun he can get out of it, so he nips it.
After a lengthy period of watching the dancers at the Folies Bergères, a fireman stops in for a drink. As he becomes intoxicated, his thoughts return to the dancers, and he begins to see images of nude dancers all around him. Whether he goes into the subway, rides on a streetcar, or returns to the fire station, he continues to see the same imaginary sights.
The interior of a trolley car. A menagerie of passengers notices a foul odour, and pinpoint the source of the stench at a cheese saleswoman. The gendarmerie removes her from the trolley and drags her to the precinct.
Koko The Clown continually interrupts an animator, who turns his attention to trapping the clown.
Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.
When Max's friends doubt his acting ability, he invites them to a dramatic theatrical performance.
A wannabe film star journeys to Hollywood, but soon finds his dreams do not pan out. This film is lost.
An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards that end he befriends the country's king and they come up with a scheme to get the Crown Prince married, a prospect not particularly appealing to the Crown Prince--until he sees the beautiful cabaret dancer the pair has picked for him to marry.
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.