5.9She is a healer. A hermit. A Fool-in-God. She is a little over forty years old. She doesn’t disdain alcohol. She can be ridiculous, humiliated, offended. She has long been indifferent about herself. Everybody avoids her and is afraid of her, but secretly at night they all hurry to her home. After all, only she can get rid of their illnesses. For her, this is a damnation, and each time she swears that she won’t help people any more, but each time she is unable to refuse them. She knows that her gift will ruin her some time, but she continues to be the only chance of salvation for people.
1.0The story unfolds in an alternate reality. Chee-Ke works for the "dance police". By the will of fate, he has to quit. For three years there is no news about the hero. But suddenly the singer Kunnei is kidnapped by the villain Bachata, and Chee-Ke is forced to go on the warpath. The policeman and his assistant must defeat the kidnappers in dance battles.
0.0Holding hands, Dayaana and her beloved only daughter Sandaara, walked through an endless forest for a long time. Eventually they reach a distant, unrecognized village full of strange inhabitants and strange happenings. The residents themselves are astonished by Dayaana since they cannot see her daughter...
6.5An adrift man must fall into the depths of drug abuse to resurrect his past lover, oblivious to the catastrophic consequences.
4.0This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
10.0When a stubborn old man and a fretful teenaged girl are forced to share a hospital room, an unexpected friendship forms over their hatred of fake cheerfulness and bad hospital food.